The Oxford Handbook of Shakespeare and Music (eBook, ePUB)
Redaktion: Wilson, Christopher R.; Cooke, Mervyn
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The Oxford Handbook of Shakespeare and Music (eBook, ePUB)
Redaktion: Wilson, Christopher R.; Cooke, Mervyn
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The Oxford Handbook of Shakespeare and Music showcases the latest international research into the captivating and vast subject of the many uses of music in relation to Shakespeare's plays and poems, extending from the Bard's own time to the present day. The coverage is truly global in its scope, with ground-breaking studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the Anglophone musical and theatrical traditions of the UK and USA. The range of genres…mehr
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- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 1064
- Erscheinungstermin: 11. Februar 2022
- Englisch
- ISBN-13: 9780190945169
- Artikelnr.: 63354693
- Verlag: Oxford University Press
- Seitenzahl: 1064
- Erscheinungstermin: 11. Februar 2022
- Englisch
- ISBN-13: 9780190945169
- Artikelnr.: 63354693
* List of Contributors
* List of Abbreviations
* Introduction
* Christopher R. Wilson and Mervyn Cooke
* Part I: Perspectives
* 1. 'Where should this music be?': Cataloguing Shakespearean Music
* John Cunningham
* 2. 'Sing Willow, andc.': Willow Songs, Cultural Memory, and the
Establishment of an 'Authentic' Shakespeare Music Canon
* Linda Phyllis Austern
* 3. 'Let the sky rain potatoes': Music, Memory, and Sonic Nationhood
in Shakespeare
* Florence Hazrat
* 4. Gender and Music in Shakespeare
* Katrine K. Wong
* 5. Tangled Relations: Shakespeare and Ballet
* Nancy Isenberg
* 6. Shakespeare's Musical Time Signatures
* Joseph M. Ortiz
* 7. Shakespeare and Folk
* Adam Hansen
* 8. 'A noise of thunder': Shakespeare and Jazz
* Stuart Hampton-Reeves
* 9. 'In comes Romeo, he's moaning': Shakespeare, Melancholy, and the
Cult of the Rock Auteur since 1960
* Howard Wilde
* Part II: Music in Shakespearean Theatre
* 10. Early Encounters with Shakespeare Music: Experiencing Playhouse
Musical Performance, 1590-1613
* Simon Smith
* 11. Soundscapes of the Outdoor Playhouses, 1567-1608
* Lucy Munro
* 12. Thomas Morley, Robert Johnson, and Songs for the Shakespearean
Stage
* Ross W. Duffin
* 13. 'Let's have a dance': Staging Shakespeare in Restoration London
* Amanda Eubanks Winkler
* 14. 'What's in a name?': Authorship and Shakespeare Songs in the
Eighteenth Century
* John Cunningham
* 15. Music for Shakespeare in Nineteenth-Century American Theatre
* Michael V. Pisani with Mervyn Cooke
* 16. Shakespeare in Sweden: Wilhelm Stenhammar and Modern Theatre
Music
* Leah Broad
* 17. Music for Shakespeare at Stratford-upon-Avon: 'Revels, dances,
masques, and merry hours'
* Val Brodie
* 18. Historically Informed Experience: Music in Globe III
* Bill Barclay
* Part III: Shakespeare's Global Music
* 19. Living with Ghosts: Beethoven, Wagner, and Shakespeare
* David Roberts
* 20. Shakespeare in Berlioz, Berlioz in Shakespeare
* Julian Rushton
* 21. Shekspirschina: Nineteenth-Century Russian Musical Responses to
Shakespeare
* Philip Bullock
* 22. Shakespeare and Soviet Music
* Michelle Assay
* 23. Shakespearean Concert Songs in Victorian England
* Christopher R. Wilson
* 24. English Shakespeare Song in UK Concerts, 1901-1951
* Pam Waddington Muse
* 25. Musical Response to Shakespeare in Greater China: Mandopop and
Cantopop
* Katrine K. Wong
* 26. Shakespeare, Music, and South Africa: From Afrikaner Titus to
Township Opera
* Mervyn Cooke
* Part IV: Shakespeare as Music Drama
* 27. Dramaturgy of the Shakespearean Libretto
* Pavel Drábek
* 28. Shakespeare and the Nineteenth-Century Italian Operatic Stage
* William Germano
* 29. Performing Verdi's Otello in Fin-de-Siècle London
* Adrian Streete
* 30. Shakespeare in Czechoslovakia: The Comedy of Errors, Hamlet, and
Coriolanus on the Operatic Stage
* Klára Skrobánková
* 31. Shakespeare and Opera in the Czech Lands
* Jirí Kopecký
* 32. Audio-visual Metaphors in Operatic Shakespeare: Verdi's Macbeth
and Otello in Czech Theatres
* Sárka Havlícková Kysová
* 33. Transition and Transformation in Britten's A Midsummer Night's
Dream
* Katherine R. Larson and Lawrence Wiliford
* 34. From Hal to Henry: Wartime Masculinity in Holst's At the Board's
Head
* Michael Graham
* 35. Otherness and Strange Sounds: Operatic and Vocal Adaptations of
The Tempest
* Annette Simonis
* 36. 'If It's Good Enough For Shakespeare, It's Good Enough For Us':
Shakespeare and Musical Theatre
* Ben Francis
* Part V: Music in Shakespearean Films
* 37. Sonic Spectacle in Erich Wolfgang Korngold's score to Max
Reinhardt's A Midsummer Night's Dream (1935)
* Nina Penner
* 38. 'Genuine attempts at enlarging the scope of film': William
Walton's and Laurence Olivier's Shakespeare Trilogy
* Brian Hoyle
* 39. Reshaping Shakespeare: Dmitri Shostakovich's Music for Grigori
Kozintsev's Film Adaptations of Hamlet (1964) and King Lear (1971)
* Fiona Ford
* 40. Music in Akira Kurosawa's Filmic Adaptations of Shakespeare:
Throne of Blood (1957), The Bad Sleep Well (1960), and Ran (1985)
* Timothy Koozin
* 41. Rhizomatic Harmonies: Music in the Shakespeare Films of Vishal
Bhardwaj
* Amy Rodgers
* 42. 'More hits than you could possibly imagine': Baz Luhrmann's
Romeo + Juliet
* Jan Butler
* 43. 'Let your indulgence set me free': Elliot Goldenthal's Music for
the Shakespeare Films of Julie Taymor
* Mervyn Cooke
* Index of Shakespeare's Works
* General Index
* List of Contributors
* List of Abbreviations
* Introduction
* Christopher R. Wilson and Mervyn Cooke
* Part I: Perspectives
* 1. 'Where should this music be?': Cataloguing Shakespearean Music
* John Cunningham
* 2. 'Sing Willow, andc.': Willow Songs, Cultural Memory, and the
Establishment of an 'Authentic' Shakespeare Music Canon
* Linda Phyllis Austern
* 3. 'Let the sky rain potatoes': Music, Memory, and Sonic Nationhood
in Shakespeare
* Florence Hazrat
* 4. Gender and Music in Shakespeare
* Katrine K. Wong
* 5. Tangled Relations: Shakespeare and Ballet
* Nancy Isenberg
* 6. Shakespeare's Musical Time Signatures
* Joseph M. Ortiz
* 7. Shakespeare and Folk
* Adam Hansen
* 8. 'A noise of thunder': Shakespeare and Jazz
* Stuart Hampton-Reeves
* 9. 'In comes Romeo, he's moaning': Shakespeare, Melancholy, and the
Cult of the Rock Auteur since 1960
* Howard Wilde
* Part II: Music in Shakespearean Theatre
* 10. Early Encounters with Shakespeare Music: Experiencing Playhouse
Musical Performance, 1590-1613
* Simon Smith
* 11. Soundscapes of the Outdoor Playhouses, 1567-1608
* Lucy Munro
* 12. Thomas Morley, Robert Johnson, and Songs for the Shakespearean
Stage
* Ross W. Duffin
* 13. 'Let's have a dance': Staging Shakespeare in Restoration London
* Amanda Eubanks Winkler
* 14. 'What's in a name?': Authorship and Shakespeare Songs in the
Eighteenth Century
* John Cunningham
* 15. Music for Shakespeare in Nineteenth-Century American Theatre
* Michael V. Pisani with Mervyn Cooke
* 16. Shakespeare in Sweden: Wilhelm Stenhammar and Modern Theatre
Music
* Leah Broad
* 17. Music for Shakespeare at Stratford-upon-Avon: 'Revels, dances,
masques, and merry hours'
* Val Brodie
* 18. Historically Informed Experience: Music in Globe III
* Bill Barclay
* Part III: Shakespeare's Global Music
* 19. Living with Ghosts: Beethoven, Wagner, and Shakespeare
* David Roberts
* 20. Shakespeare in Berlioz, Berlioz in Shakespeare
* Julian Rushton
* 21. Shekspirschina: Nineteenth-Century Russian Musical Responses to
Shakespeare
* Philip Bullock
* 22. Shakespeare and Soviet Music
* Michelle Assay
* 23. Shakespearean Concert Songs in Victorian England
* Christopher R. Wilson
* 24. English Shakespeare Song in UK Concerts, 1901-1951
* Pam Waddington Muse
* 25. Musical Response to Shakespeare in Greater China: Mandopop and
Cantopop
* Katrine K. Wong
* 26. Shakespeare, Music, and South Africa: From Afrikaner Titus to
Township Opera
* Mervyn Cooke
* Part IV: Shakespeare as Music Drama
* 27. Dramaturgy of the Shakespearean Libretto
* Pavel Drábek
* 28. Shakespeare and the Nineteenth-Century Italian Operatic Stage
* William Germano
* 29. Performing Verdi's Otello in Fin-de-Siècle London
* Adrian Streete
* 30. Shakespeare in Czechoslovakia: The Comedy of Errors, Hamlet, and
Coriolanus on the Operatic Stage
* Klára Skrobánková
* 31. Shakespeare and Opera in the Czech Lands
* Jirí Kopecký
* 32. Audio-visual Metaphors in Operatic Shakespeare: Verdi's Macbeth
and Otello in Czech Theatres
* Sárka Havlícková Kysová
* 33. Transition and Transformation in Britten's A Midsummer Night's
Dream
* Katherine R. Larson and Lawrence Wiliford
* 34. From Hal to Henry: Wartime Masculinity in Holst's At the Board's
Head
* Michael Graham
* 35. Otherness and Strange Sounds: Operatic and Vocal Adaptations of
The Tempest
* Annette Simonis
* 36. 'If It's Good Enough For Shakespeare, It's Good Enough For Us':
Shakespeare and Musical Theatre
* Ben Francis
* Part V: Music in Shakespearean Films
* 37. Sonic Spectacle in Erich Wolfgang Korngold's score to Max
Reinhardt's A Midsummer Night's Dream (1935)
* Nina Penner
* 38. 'Genuine attempts at enlarging the scope of film': William
Walton's and Laurence Olivier's Shakespeare Trilogy
* Brian Hoyle
* 39. Reshaping Shakespeare: Dmitri Shostakovich's Music for Grigori
Kozintsev's Film Adaptations of Hamlet (1964) and King Lear (1971)
* Fiona Ford
* 40. Music in Akira Kurosawa's Filmic Adaptations of Shakespeare:
Throne of Blood (1957), The Bad Sleep Well (1960), and Ran (1985)
* Timothy Koozin
* 41. Rhizomatic Harmonies: Music in the Shakespeare Films of Vishal
Bhardwaj
* Amy Rodgers
* 42. 'More hits than you could possibly imagine': Baz Luhrmann's
Romeo + Juliet
* Jan Butler
* 43. 'Let your indulgence set me free': Elliot Goldenthal's Music for
the Shakespeare Films of Julie Taymor
* Mervyn Cooke
* Index of Shakespeare's Works
* General Index