Pasolini's Lasting Impressions
Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
Herausgeber: Calabretta-Sajder, Ryan
Pasolini's Lasting Impressions
Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
Herausgeber: Calabretta-Sajder, Ryan
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This collection examines the multifaceted opus of Pier Paolo Pasolini through a contemporary critical lens. It offers new interpretations to some classic works such as Salò or the 120 Days of Sodom and Decameron while considering some lesser studied pieces, for example Orestiade and his Friulian verse.
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This collection examines the multifaceted opus of Pier Paolo Pasolini through a contemporary critical lens. It offers new interpretations to some classic works such as Salò or the 120 Days of Sodom and Decameron while considering some lesser studied pieces, for example Orestiade and his Friulian verse.
Produktdetails
- Produktdetails
- The Fairleigh Dickinson University Press Series in Italian Studies
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 266
- Erscheinungstermin: 28. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 589g
- ISBN-13: 9781683930181
- ISBN-10: 1683930185
- Artikelnr.: 49018486
- The Fairleigh Dickinson University Press Series in Italian Studies
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 266
- Erscheinungstermin: 28. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 589g
- ISBN-13: 9781683930181
- ISBN-10: 1683930185
- Artikelnr.: 49018486
Edited by Ryan Calabretta-Sajder - Contributions by Virginia Agostinelli; Fabio Benincasa; Francesca D¿Alessand...
Acknowledgments Introduction: Pasolini Studies
Forty Years in the Making Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini
s Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus: Pasolini
s Self-Representation as Scapegoat and Martyr in His Friulan Verse William Van Watson 3 Poetic Gazing: The
Word-Eye
in the Poetry of Pier Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4 Pasolini
s Orestiade, the Irrational and Greek Tragedy Francesca D
Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini
s Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the Lens 6 Il
cinema di poesiä from Theory to Practice: The Case of Edipo Re Millicent Marcus 7 Violence in Pier Paolo Pasolini
s Cinema Francesco Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini
s Last Work Fabio Benincasa 9 Oedipus and Medea According to Pasolini Giulia Tellini 10 Pasolini
s Decameron (1971): A Case of Cinematic Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part 4: Pasolini and Italian Culture
Final Thoughts 12 Pasolini as Prophet: From I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera 13 Pier Paolo Pasolini
s Influence on Contemporary Italian Culture Virginia Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa 15 Pasolini
s Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
a Conversation with Dacia Maraini Ryan Calabaretta-Sajder Index About the Editors and Contributors
Forty Years in the Making Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini
s Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus: Pasolini
s Self-Representation as Scapegoat and Martyr in His Friulan Verse William Van Watson 3 Poetic Gazing: The
Word-Eye
in the Poetry of Pier Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4 Pasolini
s Orestiade, the Irrational and Greek Tragedy Francesca D
Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini
s Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the Lens 6 Il
cinema di poesiä from Theory to Practice: The Case of Edipo Re Millicent Marcus 7 Violence in Pier Paolo Pasolini
s Cinema Francesco Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini
s Last Work Fabio Benincasa 9 Oedipus and Medea According to Pasolini Giulia Tellini 10 Pasolini
s Decameron (1971): A Case of Cinematic Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part 4: Pasolini and Italian Culture
Final Thoughts 12 Pasolini as Prophet: From I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera 13 Pier Paolo Pasolini
s Influence on Contemporary Italian Culture Virginia Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa 15 Pasolini
s Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
a Conversation with Dacia Maraini Ryan Calabaretta-Sajder Index About the Editors and Contributors
Acknowledgments Introduction: Pasolini Studies
Forty Years in the Making Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini
s Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus: Pasolini
s Self-Representation as Scapegoat and Martyr in His Friulan Verse William Van Watson 3 Poetic Gazing: The
Word-Eye
in the Poetry of Pier Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4 Pasolini
s Orestiade, the Irrational and Greek Tragedy Francesca D
Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini
s Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the Lens 6 Il
cinema di poesiä from Theory to Practice: The Case of Edipo Re Millicent Marcus 7 Violence in Pier Paolo Pasolini
s Cinema Francesco Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini
s Last Work Fabio Benincasa 9 Oedipus and Medea According to Pasolini Giulia Tellini 10 Pasolini
s Decameron (1971): A Case of Cinematic Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part 4: Pasolini and Italian Culture
Final Thoughts 12 Pasolini as Prophet: From I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera 13 Pier Paolo Pasolini
s Influence on Contemporary Italian Culture Virginia Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa 15 Pasolini
s Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
a Conversation with Dacia Maraini Ryan Calabaretta-Sajder Index About the Editors and Contributors
Forty Years in the Making Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini
s Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus: Pasolini
s Self-Representation as Scapegoat and Martyr in His Friulan Verse William Van Watson 3 Poetic Gazing: The
Word-Eye
in the Poetry of Pier Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4 Pasolini
s Orestiade, the Irrational and Greek Tragedy Francesca D
Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini
s Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the Lens 6 Il
cinema di poesiä from Theory to Practice: The Case of Edipo Re Millicent Marcus 7 Violence in Pier Paolo Pasolini
s Cinema Francesco Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini
s Last Work Fabio Benincasa 9 Oedipus and Medea According to Pasolini Giulia Tellini 10 Pasolini
s Decameron (1971): A Case of Cinematic Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part 4: Pasolini and Italian Culture
Final Thoughts 12 Pasolini as Prophet: From I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera 13 Pier Paolo Pasolini
s Influence on Contemporary Italian Culture Virginia Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa 15 Pasolini
s Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
a Conversation with Dacia Maraini Ryan Calabaretta-Sajder Index About the Editors and Contributors