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Dirty Great Love Story - Marsh, Richard; Bonna, Katie
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Two hopeful, hapless romantics get drunk, get it on, and then get the hell away from each other. In her eyes, he's a mistake. A mistake who keeps turning up at parties. In his eyes, she's perfect. He's short-sighted. This achingly funny, romantic catastrophe fuses poetry and prose to ask can a one-night stand last a lifetime. A very human tale of good intentions and bad timing. Winner of 2012 Fringe First (for innovation and outstanding new writing at the Edinburgh Festival Fringe), Dirty Great Love Story is a tale of the chance of love in a one-night stand.…mehr

Produktbeschreibung
Two hopeful, hapless romantics get drunk, get it on, and then get the hell away from each other. In her eyes, he's a mistake. A mistake who keeps turning up at parties. In his eyes, she's perfect. He's short-sighted. This achingly funny, romantic catastrophe fuses poetry and prose to ask can a one-night stand last a lifetime. A very human tale of good intentions and bad timing. Winner of 2012 Fringe First (for innovation and outstanding new writing at the Edinburgh Festival Fringe), Dirty Great Love Story is a tale of the chance of love in a one-night stand.
  • Produktdetails
  • Modern Plays
  • Verlag: Bloomsbury Academic
  • Artikelnr. des Verlages: 244685
  • New.
  • Seitenzahl: 64
  • Erscheinungstermin: 5. März 2013
  • Englisch
  • Abmessung: 193mm x 127mm x 5mm
  • Gewicht: 70g
  • ISBN-13: 9781472528667
  • ISBN-10: 1472528662
  • Artikelnr.: 37483395
Autorenporträt
Marsh, Richard
Richard Marsh's plays include Skittles (BAC, Nursery, Pleasance Theatre, Edinburgh, and Radio 4 as Love and Sweets); Nicked (book and lyrics, HighTide and Criterion); Westminster Side Story (book and lyrics, Coalition at Theatre503); Khaliq's Story/2007 (Decade at Theatre503); Fairytale of New Cross (Theatre503); Dad's Money (Pleasance Theatre, Edinburgh and London). Richard Marsh was one of the inaugural 503/5 writers-in-residence at Theatre503.
Rezensionen
Comic precision, heart and unflagging pace . . . Laughs are frequent, unsignalled and brilliant. The Times