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This newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. * Covers all three genres of ancient Greek drama - tragedy, comedy, and satyr-drama * Surveys the extant work of Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and includes entries on 'lost' playwrights * Examines contextual issues such as the origins of dramatic art forms; the conventions of the festivals and the theater; drama's relationship with the worship of Dionysos; political…mehr
This newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. * Covers all three genres of ancient Greek drama - tragedy, comedy, and satyr-drama * Surveys the extant work of Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and includes entries on 'lost' playwrights * Examines contextual issues such as the origins of dramatic art forms; the conventions of the festivals and the theater; drama's relationship with the worship of Dionysos; political dimensions of drama; and how to read and watch Greek drama * Includes single-page synopses of every surviving ancient Greek play
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Ian C. Storey is Emeritus Professor of Classics and Ancient History at Trent University, Canada. The author of Eupolis: Poet of Old Comedy (2003), Euripides' Suppliant Women (2008), and The Fragments of Old Comedy (2011), he has published numerous papers on Euripides, Old Comedy, and the fiction of C. S. Lewis. Arlene Allan is Senior Lecturer in the Department of Classics at Otago University, New Zealand, where she teaches ancient Greek literature and mythology, as well as ancient Greek and Latin.
Inhaltsangabe
Preface x List of Figures xii List of Maps xiii Abbreviations and Signs xiv 1 Aspects of Ancient Greek Drama 1 Drama 1 The Dramatic Festivals 14 Drama and Dionysos 24 The Theatrical Space 34 The Performance 46 Drama and the Polis 61 2 Greek Tragedy 72 On the Nature of Greek Tragedy 77 Aeschylus 93 Sophokles 111 Euripides 131 The Other Tragedians 151 3 The Satyr-Play 156 4 Greek Comedy 169 Origins 169 Old Comedy 173 The Generations of Old Comedy 195 Aristophanes 208 Middle Comedy 217 Menander and New Comedy 221 5 Approaching Greek Drama 230 Textual Criticism and Commentary 230 New Criticism 231 Structuralism 232 Myth and "Version" 233 Ritual and Drama 235 Psychoanalytic Approaches 236 Gender Studies 237 Performance Criticism 238 6 Play Synopses 241 Aeschylus' Persians (Persae, Persai ) 243 Aeschylus' Seven (Seven against Thebes) 244 Aeschylus' Suppliants (Suppliant Women, Hiketides) 245 Aeschylus' Oresteia 246 Aeschylus' Agamemnon 247 Aeschylus' Libation-Bearers (Choephoroe) 248 Aeschylus' Eumenides (Furies) 249 Aeschylus' Prometheus Bound (Prometheus Vinctus, Prometheus Desmotes) 250 Sophokles' Ajax (Aias) 251 Sophokles' Antigone 252 Sophokles' Trachinian Women (Trachiniai, Women of Trachis) 253 Sophokles' Oedipus Tyrannos (King Oedipus, Oedipus Rex, Oedipus the King) 254 Sophokles' Elektra (Electra) 255 Sophokles' Philoktetes (Philoctetes) 256 Sophokles' Oedipus at Kolonos (Colonus) 257 Euripides' Alkestis (Alcestis) 258 Euripides' Medea 259 Euripides' Children of Herakles (Heraclidae, Herakleidai ) 260 Euripides' Hippolytos 261 Euripides' Andromache 262 Euripides' Hecuba (Hekabe) 263 Euripides' Suppliant Women (Suppliants, Hiketides) 264 Euripides' Elektra (Electra) 265 Euripides' Herakles (Hercules Furens, The Madness of Herakles) 266 Euripides' Trojan Women (Troades) 267 Euripides' Iphigeneia among the Taurians (Iphigeneia in Tauris) 268 Euripides' Ion 269 Euripides' Helen 270 Euripides' Phoenician Women (Phoinissai ) 271 Euripides' Orestes 272 Euripides' Iphigeneia at Aulis 273 Euripides' Bacchae (Bacchants) 274 Euripides' Cyclops 275 [Euripides'] Rhesos 276 Aristophanes' Acharnians 277 Aristophanes' Knights (Hippeis, Equites, Horsemen) 278 Aristophanes' Wasps (Sphekes, Vespae) 279 Aristophanes' Peace (Pax, Eirene) 280 Aristophanes' Clouds (Nubes, Nephelai) 281 Aristophanes' Birds (Ornithes, Aves) 282 Aristophanes' Lysistrate 283 Aristophanes' Women at the Thesmophoria (Thesmophoriazousai ) 284 Aristophanes' Frogs (Ranae, Batrachoi ) 285 Aristophanes' Assembly-Women (Ekklesiazousai ) 286 Aristophanes' Wealth (Ploutos) 287 Menander's The Grouch (Old Cantankerous, Dyskolos) 288 Menander's Samian Woman (Samia) or Marriage-contract 289 A Note on Meter 290 Glossary of Names and Terms 293 Further Reading 296 Index 305
Preface x List of Figures xii List of Maps xiii Abbreviations and Signs xiv 1 Aspects of Ancient Greek Drama 1 Drama 1 The Dramatic Festivals 14 Drama and Dionysos 24 The Theatrical Space 34 The Performance 46 Drama and the Polis 61 2 Greek Tragedy 72 On the Nature of Greek Tragedy 77 Aeschylus 93 Sophokles 111 Euripides 131 The Other Tragedians 151 3 The Satyr-Play 156 4 Greek Comedy 169 Origins 169 Old Comedy 173 The Generations of Old Comedy 195 Aristophanes 208 Middle Comedy 217 Menander and New Comedy 221 5 Approaching Greek Drama 230 Textual Criticism and Commentary 230 New Criticism 231 Structuralism 232 Myth and "Version" 233 Ritual and Drama 235 Psychoanalytic Approaches 236 Gender Studies 237 Performance Criticism 238 6 Play Synopses 241 Aeschylus' Persians (Persae, Persai ) 243 Aeschylus' Seven (Seven against Thebes) 244 Aeschylus' Suppliants (Suppliant Women, Hiketides) 245 Aeschylus' Oresteia 246 Aeschylus' Agamemnon 247 Aeschylus' Libation-Bearers (Choephoroe) 248 Aeschylus' Eumenides (Furies) 249 Aeschylus' Prometheus Bound (Prometheus Vinctus, Prometheus Desmotes) 250 Sophokles' Ajax (Aias) 251 Sophokles' Antigone 252 Sophokles' Trachinian Women (Trachiniai, Women of Trachis) 253 Sophokles' Oedipus Tyrannos (King Oedipus, Oedipus Rex, Oedipus the King) 254 Sophokles' Elektra (Electra) 255 Sophokles' Philoktetes (Philoctetes) 256 Sophokles' Oedipus at Kolonos (Colonus) 257 Euripides' Alkestis (Alcestis) 258 Euripides' Medea 259 Euripides' Children of Herakles (Heraclidae, Herakleidai ) 260 Euripides' Hippolytos 261 Euripides' Andromache 262 Euripides' Hecuba (Hekabe) 263 Euripides' Suppliant Women (Suppliants, Hiketides) 264 Euripides' Elektra (Electra) 265 Euripides' Herakles (Hercules Furens, The Madness of Herakles) 266 Euripides' Trojan Women (Troades) 267 Euripides' Iphigeneia among the Taurians (Iphigeneia in Tauris) 268 Euripides' Ion 269 Euripides' Helen 270 Euripides' Phoenician Women (Phoinissai ) 271 Euripides' Orestes 272 Euripides' Iphigeneia at Aulis 273 Euripides' Bacchae (Bacchants) 274 Euripides' Cyclops 275 [Euripides'] Rhesos 276 Aristophanes' Acharnians 277 Aristophanes' Knights (Hippeis, Equites, Horsemen) 278 Aristophanes' Wasps (Sphekes, Vespae) 279 Aristophanes' Peace (Pax, Eirene) 280 Aristophanes' Clouds (Nubes, Nephelai) 281 Aristophanes' Birds (Ornithes, Aves) 282 Aristophanes' Lysistrate 283 Aristophanes' Women at the Thesmophoria (Thesmophoriazousai ) 284 Aristophanes' Frogs (Ranae, Batrachoi ) 285 Aristophanes' Assembly-Women (Ekklesiazousai ) 286 Aristophanes' Wealth (Ploutos) 287 Menander's The Grouch (Old Cantankerous, Dyskolos) 288 Menander's Samian Woman (Samia) or Marriage-contract 289 A Note on Meter 290 Glossary of Names and Terms 293 Further Reading 296 Index 305
Rezensionen
"Whether the student has a good grasp of the language, or little (even none), they will find this an invaluable source book and study aid. It will help students of classical literature to understand the context and content of ancient Greek drama more thoroughly and more productively. Although not stated as an aim of the book, it will also help students of related subjects who need some instruction in or background to ancient Greek drama." (Reference Reviews, 1 October 2014)
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