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A cultural icon of the fin de siècle , the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of Punch and popular fiction; as a neurasthenic victim of social oppression, she suffered in the pages of New Woman novels such as Sarah Grand's hugely successful The Heavenly Twins . The New Woman in Fiction and Fact marks a radically new departure in nineteenth-century scholarship to explore the polyvocal nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman.…mehr

Produktbeschreibung
A cultural icon of the fin de siècle , the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of Punch and popular fiction; as a neurasthenic victim of social oppression, she suffered in the pages of New Woman novels such as Sarah Grand's hugely successful The Heavenly Twins . The New Woman in Fiction and Fact marks a radically new departure in nineteenth-century scholarship to explore the polyvocal nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman.

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Autorenporträt
ANGELIQUE RICHARDSON is Lecturer in Victorian Literature and Culture at the University of Exeter. She has published widely on nineteenth-century literature and science, and is currently working on a study of Hardy and science. She is the author of Love, Eugenics and the New Woman: Science, Fiction, Feminism and editor of Women Who Did: Stories by Men and Women, 1890-1914. CHRIS WILLIS teaches at Birkbeck College, University of London. She has published a number of articles on nineteenth- and twentieth-century popular fiction, and co-edited Twelve Women Detectives, a collection of early crime stories.