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From fantasy and sci-fi to graphic novels, from boy scouts to board games, from blockbuster films to the cult of theatre, Shakespeare is everywhere in popular culture. Where there is popular culture there are fans and nerds and geeks. The essays in this collection on Shakespeare and Geek Culture take an innovative approach to the study of Shakespeare's cultural presences, situating his works, his image and his brand to locate and explore the nature of that geekiness that, the authors argue, is a vital but unrecognized feature of the world of those who enjoy and are obsessed by Shakespeare,…mehr
From fantasy and sci-fi to graphic novels, from boy scouts to board games, from blockbuster films to the cult of theatre, Shakespeare is everywhere in popular culture. Where there is popular culture there are fans and nerds and geeks. The essays in this collection on Shakespeare and Geek Culture take an innovative approach to the study of Shakespeare's cultural presences, situating his works, his image and his brand to locate and explore the nature of that geekiness that, the authors argue, is a vital but unrecognized feature of the world of those who enjoy and are obsessed by Shakespeare, whether they are scholars, film fans, theatre-goers or members of legions of other groupings in which Shakespeare plays his part.
Working at the intersections of a wide range of fields - including fan studies and film analysis, cultural studies and fantasy/sci-fi theory - the authors demonstrate how the particularities of the connection between Shakespeare and geek culture generate new insights into the plays, poems and their larger cultural legacy in the 21st century.
Andrew James Hartley is the Robinson Professor of Shakespeare Studies at the University of North Carolina, Charlotte, USA. He is the author of various scholarly books including The Shakespearean Dramaturg, Shakespeare and Political Theatre, a performance history of Julius Caesar, and essay collections on Shakespeare on the University stage and Shakespeare in Millennial fiction. He is an honorary fellow of the University of Central Lancashire, UK. Peter Holland is the McMeel Family Professor of Shakespeare Studies and Associate Dean for the Arts at the University of Notre Dame, USA. He was Director of the Shakespeare Institute in Stratford-upon-Avon and is a past president of the Shakespeare Association of America. He is Chair of the International Shakespeare Association.
Inhaltsangabe
A. Geek Culture and Fiction 1. Shakespeare Tolkien and Geeking Out by Andrew James Hartley (University of North Carolina USA) 2. "'I opened a door; that is all': Neil Gaiman's Decidedly Human Shakespeare in The Sandman." by Emily Leverett (University of North Carolina USA) 3. Shakespeare Unfocused in Time: Collective Memory and Anachronism in Terry Pratchett's Wyrd Sisters by Kyle Pivetti (University of Norwich UK) 4. May the Bard Be with You: The Presence or Absence of Shakespeare's Language in SciFi/Fantasy Adaptations by Ann Martinez (Kent State University USA) 5. "Questions of Time and Tense": Shakespeare's Past and Science Fiction's Future by Andrew Tumminia (Spring Hill College USA) B. Geek Culture and the Shakespeare Sandbox 6. "Let's kill Claudius in the church!": Fan Fiction and Wish Fulfillment in Ryan North's To Be or Not to Be and Romeo and/or Juliet by Johnathan H. Pope ( Memorial University of Newfoundland Canada) 7. Hiddleston-Shakespeare-Coriolanus: Rhizomatic Crossings in Fanfic by Stephen O'Neill (Maynooth University Ireland) 8. The Bard is dead long live the Bard: Geek Bardolatry the Death of the Author and Kill Shakespeare by Douglas M. Lanier (University of Newfoundland USA) 9. "There Lies the Substance": Rediscovering Richard in Geek Culture by Valerie M. Fazel (Arizona State University USA) and Louise Geddes (Adelphi University USA) 10. On eating paper and drinking ink by Matt Kozusko (Ursinus College USA) C. Pastimes Gaming and Shakespeare 11. Shakespeare and the Renaissance of Board Games: Appropriation Agency and the Geek by Vernon Dickson (Florida International University USA) 12. Boy Scouting with the Bard by M. Tyler Sasser (University of Alabama USA) 13. The Play of Gender Is The Thing: Geeky Shakespeare and the Power of What If? by Jessica McCall (Delaware Valley University USA) 14. Witcher 3: Wild Hunt as Shakespearean Theater by Rebecca Bushnell (University of Pennsylvania USA) D. Film Theatre and Geek Culture 15. Vulnerable Geek Masculinity in Recent Shakespeare on Film by Keith M. Botelho (Kennesaw State University USA) 16. Shakespearean Whedon and Whedonesque Shakespeare by Jennifer Flaherty (Georgia College USA) 17. Worst. Lear. Ever.: Early Modern Drama and Geek Hermeneutics by James D. Mardock (University of Nevada USA) 18. I Can Geek Upon Occasion: Shakespeare and Theatrical Geekery by Peter Holland (University of Notre Dame USA) Notes References Index
A. Geek Culture and Fiction 1. Shakespeare Tolkien and Geeking Out by Andrew James Hartley (University of North Carolina USA) 2. "'I opened a door; that is all': Neil Gaiman's Decidedly Human Shakespeare in The Sandman." by Emily Leverett (University of North Carolina USA) 3. Shakespeare Unfocused in Time: Collective Memory and Anachronism in Terry Pratchett's Wyrd Sisters by Kyle Pivetti (University of Norwich UK) 4. May the Bard Be with You: The Presence or Absence of Shakespeare's Language in SciFi/Fantasy Adaptations by Ann Martinez (Kent State University USA) 5. "Questions of Time and Tense": Shakespeare's Past and Science Fiction's Future by Andrew Tumminia (Spring Hill College USA) B. Geek Culture and the Shakespeare Sandbox 6. "Let's kill Claudius in the church!": Fan Fiction and Wish Fulfillment in Ryan North's To Be or Not to Be and Romeo and/or Juliet by Johnathan H. Pope ( Memorial University of Newfoundland Canada) 7. Hiddleston-Shakespeare-Coriolanus: Rhizomatic Crossings in Fanfic by Stephen O'Neill (Maynooth University Ireland) 8. The Bard is dead long live the Bard: Geek Bardolatry the Death of the Author and Kill Shakespeare by Douglas M. Lanier (University of Newfoundland USA) 9. "There Lies the Substance": Rediscovering Richard in Geek Culture by Valerie M. Fazel (Arizona State University USA) and Louise Geddes (Adelphi University USA) 10. On eating paper and drinking ink by Matt Kozusko (Ursinus College USA) C. Pastimes Gaming and Shakespeare 11. Shakespeare and the Renaissance of Board Games: Appropriation Agency and the Geek by Vernon Dickson (Florida International University USA) 12. Boy Scouting with the Bard by M. Tyler Sasser (University of Alabama USA) 13. The Play of Gender Is The Thing: Geeky Shakespeare and the Power of What If? by Jessica McCall (Delaware Valley University USA) 14. Witcher 3: Wild Hunt as Shakespearean Theater by Rebecca Bushnell (University of Pennsylvania USA) D. Film Theatre and Geek Culture 15. Vulnerable Geek Masculinity in Recent Shakespeare on Film by Keith M. Botelho (Kennesaw State University USA) 16. Shakespearean Whedon and Whedonesque Shakespeare by Jennifer Flaherty (Georgia College USA) 17. Worst. Lear. Ever.: Early Modern Drama and Geek Hermeneutics by James D. Mardock (University of Nevada USA) 18. I Can Geek Upon Occasion: Shakespeare and Theatrical Geekery by Peter Holland (University of Notre Dame USA) Notes References Index
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