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  • Format: ePub

A book of ambiguous genre and delicate, playful wisdom, Recipes for Sad Women is not a novel and not a cookbook. But should you wish to know what food to prepare in the case of sobbing or of nervousness, what the closest thing to dinosaur meat is (and therefore the best remedy for guilt), or what to eat when you are perfectly healthy and enjoying reciprocated love, you will find no better collection of recipes on the market. An acclaimed novelist, essayist, journalist and translator, Abad’s eccentric, sensual and wry guide is neither unserious, nor entirely plausible in its advice. Elegant,…mehr

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Produktbeschreibung
A book of ambiguous genre and delicate, playful wisdom, Recipes for Sad Women is not a novel and not a cookbook. But should you wish to know what food to prepare in the case of sobbing or of nervousness, what the closest thing to dinosaur meat is (and therefore the best remedy for guilt), or what to eat when you are perfectly healthy and enjoying reciprocated love, you will find no better collection of recipes on the market. An acclaimed novelist, essayist, journalist and translator, Abad’s eccentric, sensual and wry guide is neither unserious, nor entirely plausible in its advice. Elegant, melancholic, funny and full of morsels of insight, it is deftly and movingly instructional on the proper appreciation of sadness.

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Autorenporträt
Héctor Abad Faciolince (b. 1958) is a novelist, poet, essayist, editor and translator. He won the Colombian National Short Story Prize at the age of twenty-one and has twice won the Símon Bolívar Prize for journalism. In 1987, his father was murdered by Colombian paramilitaries and Abad was forced into exile, moving first to Spain and then to Italy. He published his first book, Malos Pensiamentos (1991) while in exile, but it was only when he returned to Colombia in 1993 that he became a full-time writer. Abad is one of a new generation of iconoclastic Colombian writers looking for new ways of depicting reality in general, and Colombian contemporary society in particular. His style shares an affinity with Umberto Eco and Italo Calvino's; a champion of stylistic experimentation and flexibility, he favours 'artists who have changed (Picasso)' and 'writers who search (Calvino)', over those who pursue a single unchanging style. His Oblivion: a Memoir was published in English in 2011.