Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.
Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.
Acknowledgments xi Introduction: Filmed Space 1 Part I. Rationalized Spaces 1. Disciplinary: Indian Towns in British Geography Classrooms 35 2. Regulatory: The State in Films Division's Himalayan Documentaries 75 Part II. Affective Spaces 3. Sublime: Immanence and Transcendence in Jean Renoir's India 125 4. Residual: Lucknow and the Haveli as Cinematic Topoi 181 Part III. Commodified Spaces 5. Global: From Bollywood Locations to Film Stock Rations 233 Conclusion: Cinema and Historiographies of Space 287 Appendix 311 Notes 313 Bibliography 355 Index 389
Acknowledgments xi Introduction: Filmed Space 1 Part I. Rationalized Spaces 1. Disciplinary: Indian Towns in British Geography Classrooms 35 2. Regulatory: The State in Films Division's Himalayan Documentaries 75 Part II. Affective Spaces 3. Sublime: Immanence and Transcendence in Jean Renoir's India 125 4. Residual: Lucknow and the Haveli as Cinematic Topoi 181 Part III. Commodified Spaces 5. Global: From Bollywood Locations to Film Stock Rations 233 Conclusion: Cinema and Historiographies of Space 287 Appendix 311 Notes 313 Bibliography 355 Index 389
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