This book analyses the relationship between art and the Internet from 2008 to 2016. As well as offering a critical account of the field, it also proposes a wider historical argument about what it means to live, work, and make art with the Internet in the twenty first century.
This book analyses the relationship between art and the Internet from 2008 to 2016. As well as offering a critical account of the field, it also proposes a wider historical argument about what it means to live, work, and make art with the Internet in the twenty first century.
Cadence Kinsey is a Lecturer in Contemporary Art at University College London, a post held since 2019 following three years at the University of York. Prior to this, Kinsey was British Academy Postdoctoral Fellow at UCL, which supported the research for this book. Her work centres on the histories of art and technology, as well as live art and performance from the 1960s to today. Kinsey has published widely on (and with) emerging artists in relation to the Internet and digital technology in both academic and non-academic contexts, and she is a regular contributor to national and international media.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: Walled Gardens 1: Currencies of the Image 2: Do What You Love 3: Be Yourself 4: Care of the Self 5: Behind the Screen Conclusion: Art After the Internet Endnotes Bibliography Index
List of Illustrations Acknowledgements Introduction: Walled Gardens 1: Currencies of the Image 2: Do What You Love 3: Be Yourself 4: Care of the Self 5: Behind the Screen Conclusion: Art After the Internet Endnotes Bibliography Index
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