Examines Indian popular cinema as a transnational phenomenon that mediates experiences of globalization and the media technologies and practices that shape postcolonial subjectivity.
Examines Indian popular cinema as a transnational phenomenon that mediates experiences of globalization and the media technologies and practices that shape postcolonial subjectivity.
Amit S. Rai is Associate Professor of English at Florida State University. He is the author of Rule of Sympathy: Race, Sentiment, and Power, 1750–1860 .
Inhaltsangabe
Acknowledgments xi Introduction: India and the New Nonlinear Media Assemblage 1 Part 1. Cinema Becoming New Media 1. “First Day, First Show”: Bollywood Cinemagoing and the New Sensorium 21 2. Contagious Multiplicities and the Nonlinear Life of the New Media 55 Part 2. Toward an Ontology of Media Durations 3. “The Best Quality Cinema Viewing . . . Everywhere. Everytime.”: On the Multipliex Mutagen in India 131 4. "With You Every Moment in Time": On the Emergent Ittafaq (Chance) Assemblage 79 Conclusion: Clinamedia 211 Notes 221 Bibliography 275 Index 289
Acknowledgments xi Introduction: India and the New Nonlinear Media Assemblage 1 Part 1. Cinema Becoming New Media 1. “First Day, First Show”: Bollywood Cinemagoing and the New Sensorium 21 2. Contagious Multiplicities and the Nonlinear Life of the New Media 55 Part 2. Toward an Ontology of Media Durations 3. “The Best Quality Cinema Viewing . . . Everywhere. Everytime.”: On the Multipliex Mutagen in India 131 4. "With You Every Moment in Time": On the Emergent Ittafaq (Chance) Assemblage 79 Conclusion: Clinamedia 211 Notes 221 Bibliography 275 Index 289
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
