Lewis examines cultural and theatrical intersections between early modern temporal concepts and early modern gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, she shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage.
Lewis examines cultural and theatrical intersections between early modern temporal concepts and early modern gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, she shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage.
Sarah Lewis is Lecturer in Early Modern English Literature at King's College London. She has co-edited a collection of essays, Family Politics in Early Modern England (2016), and is a Director of the Grasping Kairos research network.
Inhaltsangabe
Acknowledgements Introduction 1. Virtuous delay: the enduring patient wife 2. Transgressive action: the impatient prodigal husband 3. Waiting and taking: the temporally conflicted revenger 4. The delay's the thing: patience, prodigality and revenge in Hamlet Conclusion. Echoes.
Acknowledgements Introduction 1. Virtuous delay: the enduring patient wife 2. Transgressive action: the impatient prodigal husband 3. Waiting and taking: the temporally conflicted revenger 4. The delay's the thing: patience, prodigality and revenge in Hamlet Conclusion. Echoes.
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