The Work of Form investigates ways of reading early modern poetry which unite historical and formal approaches. Essays explore a wide range of meanings of form, drawing on early modern literary theory as well as practice to expand definitions and understandings of early modern poetic form.
The Work of Form investigates ways of reading early modern poetry which unite historical and formal approaches. Essays explore a wide range of meanings of form, drawing on early modern literary theory as well as practice to expand definitions and understandings of early modern poetic form.
Elizabeth Scott-Baumann is Leverhulme Early Career Fellow at King's College London. She is the author of Forms of Engagement: Women, Poetry, and Culture 1640-1680 (OUP) and co-edited The Intellectual Culture of Puritan Women (Palgrave, 2010) with Johanna Harris. She is also editing an anthology of Women Poets of the English Civil War for Manchester University Press with Sarah C. E. Ross. Ben Burton teaches at Nottingham High School and was previously Lecturer in Early Modern English Literature at St Catherine's College, Oxford University. He has published articles on early modern devotional poetry, including an essay which won Renaissance and Reformation's Natalie Zemon Davis prize in 2007.
Inhaltsangabe
* Foreword * 1: Elizabeth Scott-Baumann and Ben Burton: The Work of Form: Poetics and Materiality in Early Modern Culture * 2: Heather Dubrow: 'You may be wondering why I called you all here today': Patterns of Gathering in the Early Modern Print Lyric * 3: Joshua Scodel: Allusions and Distinctions: Pentameter Couplets in Ben Jonson's Epigrams and Forest * 4: Ben Burton: Forms of Worship: Shakespeare's Sonnets, Ritual, and the Genealogy of formalism * 5: Richard Strier: Bondage and the Lyric: Philosophical and Formal, especially Renaissance * 6: Raphael Lyne: Thinking in Stanzas: Venus and Adonis and The Rape of Lucrece * 7: Katherine Larson: A Poetics of Song * 8: Gavin Alexander: On the Reuse of Poetic Form: The Ghost in the Shell * 9: Danielle Clarke and Marie-Louise Coolahan: Gender, Reception, and Form: Early Modern Women and the Making of Verse * 10: Alice Eardley: 'I haue not time to point yr booke . . . which I desire you yourselfe to doe': Editing the Form of Women's Manuscript Verse * 11: J. Paul Hunter: Poetry on the Page: Visual Signalling and the Mind's Ear * The Work of Form: Some Afterwords
* Foreword * 1: Elizabeth Scott-Baumann and Ben Burton: The Work of Form: Poetics and Materiality in Early Modern Culture * 2: Heather Dubrow: 'You may be wondering why I called you all here today': Patterns of Gathering in the Early Modern Print Lyric * 3: Joshua Scodel: Allusions and Distinctions: Pentameter Couplets in Ben Jonson's Epigrams and Forest * 4: Ben Burton: Forms of Worship: Shakespeare's Sonnets, Ritual, and the Genealogy of formalism * 5: Richard Strier: Bondage and the Lyric: Philosophical and Formal, especially Renaissance * 6: Raphael Lyne: Thinking in Stanzas: Venus and Adonis and The Rape of Lucrece * 7: Katherine Larson: A Poetics of Song * 8: Gavin Alexander: On the Reuse of Poetic Form: The Ghost in the Shell * 9: Danielle Clarke and Marie-Louise Coolahan: Gender, Reception, and Form: Early Modern Women and the Making of Verse * 10: Alice Eardley: 'I haue not time to point yr booke . . . which I desire you yourselfe to doe': Editing the Form of Women's Manuscript Verse * 11: J. Paul Hunter: Poetry on the Page: Visual Signalling and the Mind's Ear * The Work of Form: Some Afterwords
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