Note on Orthography and Pronunciation, ix Introduction: Unwinding the Language Question, 1 Part I Colonial Literary Modernity 1. The Fetish of Textuality: David Boilat s Notebooks and the Making of a Literary Past, 33 2. Para-literary Authorship: Colonial Education and the Uses of Literature, 51 3. Toward the Future Reader: Print Networks and the Question of the Audience, 96 Part II Decolonization and the Language Question 4. Senghor s Grammatology: The Political Imaginaries of Writing African Languages, 123 5. Counterpoetics: Translation as Aesthetic Constraint in Sembène s Mandabi and Ndaös Buur Tilleen, 152 Part III World Literature, Neoliberalism 6. How Mariama Bâ Became World Literature: Translation and the Legibility of Feminist Critique, 181 7. Aesthetics After Austerity: Boubacar Boris Diop and the Work of Literature in Neoliberal Senegal, 203 Epilogue. Out of Time: Decolonization and the Future of World Literature, 233 Acknowledgments, 243 Notes, 247 Bibliography, 303 Index, 331
Note on Orthography and Pronunciation, ix Introduction: Unwinding the Language Question, 1 Part I Colonial Literary Modernity 1. The Fetish of Textuality: David Boilat s Notebooks and the Making of a Literary Past, 33 2. Para-literary Authorship: Colonial Education and the Uses of Literature, 51 3. Toward the Future Reader: Print Networks and the Question of the Audience, 96 Part II Decolonization and the Language Question 4. Senghor s Grammatology: The Political Imaginaries of Writing African Languages, 123 5. Counterpoetics: Translation as Aesthetic Constraint in Sembène s Mandabi and Ndaös Buur Tilleen, 152 Part III World Literature, Neoliberalism 6. How Mariama Bâ Became World Literature: Translation and the Legibility of Feminist Critique, 181 7. Aesthetics After Austerity: Boubacar Boris Diop and the Work of Literature in Neoliberal Senegal, 203 Epilogue. Out of Time: Decolonization and the Future of World Literature, 233 Acknowledgments, 243 Notes, 247 Bibliography, 303 Index, 331
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