"Better than anyone else I have read on Central Asia, Laura L. Adams takes seriously what the local people say, and she uses her sociological background to explain how it is that they come to their conclusions. Yet "The Spectacular State" is not only a major sociological account of the region; it is also a significant contribution to broader social scientific discourses about the state and culture."--Michael D. Kennedy, author of "Cultural Formations of Postcommunism: Emancipation, Transition, Nation, and War"
"Better than anyone else I have read on Central Asia, Laura L. Adams takes seriously what the local people say, and she uses her sociological background to explain how it is that they come to their conclusions. Yet "The Spectacular State" is not only a major sociological account of the region; it is also a significant contribution to broader social scientific discourses about the state and culture."--Michael D. Kennedy, author of "Cultural Formations of Postcommunism: Emancipation, Transition, Nation, and War"
Laura L. Adams is a lecturer on sociology and co-director of the Program on Central Asia and the Caucasus at Harvard University.
Inhaltsangabe
Acknowledgments vii Introduction. The Politics of Culture in Uzbekistan 1991–2002 1. Mapping the Landscape of National Identity in Uzbekistan 2. Cultural Form: Globalization and the Spectacular State 3. Cultural Content and Postcolonial Civic Nationalism 4. Culture Production and Participation in the Spectacular State Conclusion. Spectacle and the Ideology of National Independence Notes Bibliography Index
Acknowledgments vii Introduction. The Politics of Culture in Uzbekistan 1991–2002 1. Mapping the Landscape of National Identity in Uzbekistan 2. Cultural Form: Globalization and the Spectacular State 3. Cultural Content and Postcolonial Civic Nationalism 4. Culture Production and Participation in the Spectacular State Conclusion. Spectacle and the Ideology of National Independence Notes Bibliography Index
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