Steven Vande Moortele is Assistant Professor of Music Theory at the University of Toronto. His research interests include theories of musical form, the analysis of large-scale instrumental music from the late-eighteenth to the early-twentieth century, and the works of Richard Wagner and Arnold Schoenberg. He is the author of Two-Dimensional Sonata Form: Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky (2009) and co-editor of Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (with Julie Pedneault-Deslauriers and Nathan John Martin, 2015). From 2013 to 2016, he was also co-editor of the journal Music Theory and Analysis (MTA).
Inhaltsangabe
Introduction 1. Making overtures 2. Form as formula 3. Potpourri overtures 4. Beginning before the beginning 5. Strong subordinate themes 6. Open-ended expositions 7. Recomposed recapitulations.
Introduction 1. Making overtures 2. Form as formula 3. Potpourri overtures 4. Beginning before the beginning 5. Strong subordinate themes 6. Open-ended expositions 7. Recomposed recapitulations.
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