The Oxford Handbook of Modern Irish Poetry consists of 40 essays by leading scholars and new researchers in the field. Beginning with W.B.Yeats, the figure who towers over the century's poetry, it includes chapters on the major poets to have emerged in Ireland over the last 100 years.
The Oxford Handbook of Modern Irish Poetry consists of 40 essays by leading scholars and new researchers in the field. Beginning with W.B.Yeats, the figure who towers over the century's poetry, it includes chapters on the major poets to have emerged in Ireland over the last 100 years.
Fran Brearton is Reader in English at Queen's University Belfast. Her books include The Great War in Irish Poetry(2000), Reading Michael Longley (2006), and, as co-editor, Modern Irish & Scottish Poetry (2011) and Incorrigibly Plural: Louis MacNeice and His Legacy(2012). Alan Gillis is Lecturer in English at The University of Edinburgh, and editor of Edinburgh Review. His books include Irish Poetry of the 1930s (2005) and, as co-editor, The Edinburgh Introduction to Studying English Literature (2010), as well as three collections of poetry: Here Comes the Night(2010), Hawks and Doves (2007) and Somebody, Somewhere(2004)
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* PART I: POETRY AND THE REVIVAL * 1: Matthew Campbell: Recovering Ancient Ireland * 2: Warwick Gould: Yeats and Symbolism * 3: Michael O'Neill: Yeats, Clarke, and The Irish Poet's Relationship with English * PART II: THE POETRY OF WAR * 4: Jim Haughey: 'The Roses are Torn': Ireland's War Poets * 5: Gerald Dawe: 'Pledged to Ireland': The Poets and Poems of Easter 1916 * 6: Edna Longley: W. B. Yeats: Poetry and Violence * PART III: MODERNISM AND TRADITIONALISM * 7: Edward Larrissy: Yeats, Eliot, and the Idea of Tradition * 8: Susan Schriebman: Irish Poetic Modernism: Portrait of the Artist in Exile * 9: David Wheatley: Samuel Beckett: Exile and Experiment * 10: Dillon Johnston: Voice and Voiceprints: Joyce and Recent Irish Poetry * PART IV: MID-CENTURY IRISH POETRY * 11: Kit Fryatt: Patrick Kavanagh's 'Potentialities' * 12: Thomas Walker: MacNeice Among His Contemporaries: 1939 and 1941 * 13: Richard Kirkland: The Poetics of Partition: Poetry and Northern Ireland in the 1940s * 14: John McAuliffe: Disturbing Irish Poetry: Kinsella and Clarke 1951-1962 * 15: Jonathan Allison: Memory and Starlight in Late MacNeice * PART V: POETRY and THE ARTS * 16: Neil Corcoran: Modern Irish Poetry and the Visual Arts: Yeats to Heaney * 17: Damien Keane: Poetry, Music, and Reproduced Sound * 18: Rui Carvalho Homem: 'Private Relations': Selves, Poems, and Paintings Durcan to Morrissey * 19: Peter Mackay: Contemporary Northern Irish Poetry and Romanticism * PART VI: ON THE BORDERS: A FURTHER LOOK AT THE LANGUAGE QUESTION * 20: Aodán Mac Póilin: 'Ghosts of Metrical Procedures': Translations from the Irish * 21: Eric Falci: Translation as Collaboration: Ní Dhomhnaill and Muldoon * 22: Justin Quinn: Incoming: Irish Poetry and Translation * 23: Paul Simpson: A Stylistic Analysis of Modern Irish Poetry * PART VII: POETRY and POLITICS: 1970S and 1980S * 24: Heather Clark: Befitting Emblems: The Early 1970s * 25: Shane Alcobia-Murphy: 'Neurosis of Sand': Authority, Memory, and the Hunger Strike * 26: John Redmond: Engagements with the Public Sphere in the Poetry of Paul Durcan and Brendan Kennelly * 27: Leontia Flynn: Domestic Violences: Medbh McGuckian and Irish Women s Writing in the 1980s * PART VIII: CULTURAL LANDSCAPES * 28: Gail McConnell: Catholic Art and Culture: Clarke to Heaney * 29: Elmer Kennedy-Andrews: In Belfast * 30: Peter McDonald: 'Our Lost Lives': Protestantism and Northern Irish Poetry * 31: Maria Johnston: Walking Dublin: Contemporary Irish Poets in the City * PART IX: THE POET AS CRITIC * 32: Hugh Haughton: The Irish Poet as Critic * 33: Steven Matthews: The Poet as Anthologist * 34: Jahan Ramazani: Irish Poetry and the News * PART X: ON POETIC FORM * 35: Alan Gillis: The Modern Irish Sonnet * 36: Stephen Regan: Irish Elegy After Yeats * 37: John Goodby: 'Repeat the changes change the repeats': Alternative Irish Poetry * 38: Fran Brearton: 'The nothing-could-be-simpler-line': Form in Contemporary Irish Poetry * PART XI: ON RECENT POETRY * 39: Catriona Clutterbuck: New Irish Women Poets: The Evolution of (In)determinacy in Vona Groarke * 40: Miriam Gamble: 'a potted peace / lily'? Northern Irish Poetry Since the Ceasefires
* PART I: POETRY AND THE REVIVAL * 1: Matthew Campbell: Recovering Ancient Ireland * 2: Warwick Gould: Yeats and Symbolism * 3: Michael O'Neill: Yeats, Clarke, and The Irish Poet's Relationship with English * PART II: THE POETRY OF WAR * 4: Jim Haughey: 'The Roses are Torn': Ireland's War Poets * 5: Gerald Dawe: 'Pledged to Ireland': The Poets and Poems of Easter 1916 * 6: Edna Longley: W. B. Yeats: Poetry and Violence * PART III: MODERNISM AND TRADITIONALISM * 7: Edward Larrissy: Yeats, Eliot, and the Idea of Tradition * 8: Susan Schriebman: Irish Poetic Modernism: Portrait of the Artist in Exile * 9: David Wheatley: Samuel Beckett: Exile and Experiment * 10: Dillon Johnston: Voice and Voiceprints: Joyce and Recent Irish Poetry * PART IV: MID-CENTURY IRISH POETRY * 11: Kit Fryatt: Patrick Kavanagh's 'Potentialities' * 12: Thomas Walker: MacNeice Among His Contemporaries: 1939 and 1941 * 13: Richard Kirkland: The Poetics of Partition: Poetry and Northern Ireland in the 1940s * 14: John McAuliffe: Disturbing Irish Poetry: Kinsella and Clarke 1951-1962 * 15: Jonathan Allison: Memory and Starlight in Late MacNeice * PART V: POETRY and THE ARTS * 16: Neil Corcoran: Modern Irish Poetry and the Visual Arts: Yeats to Heaney * 17: Damien Keane: Poetry, Music, and Reproduced Sound * 18: Rui Carvalho Homem: 'Private Relations': Selves, Poems, and Paintings Durcan to Morrissey * 19: Peter Mackay: Contemporary Northern Irish Poetry and Romanticism * PART VI: ON THE BORDERS: A FURTHER LOOK AT THE LANGUAGE QUESTION * 20: Aodán Mac Póilin: 'Ghosts of Metrical Procedures': Translations from the Irish * 21: Eric Falci: Translation as Collaboration: Ní Dhomhnaill and Muldoon * 22: Justin Quinn: Incoming: Irish Poetry and Translation * 23: Paul Simpson: A Stylistic Analysis of Modern Irish Poetry * PART VII: POETRY and POLITICS: 1970S and 1980S * 24: Heather Clark: Befitting Emblems: The Early 1970s * 25: Shane Alcobia-Murphy: 'Neurosis of Sand': Authority, Memory, and the Hunger Strike * 26: John Redmond: Engagements with the Public Sphere in the Poetry of Paul Durcan and Brendan Kennelly * 27: Leontia Flynn: Domestic Violences: Medbh McGuckian and Irish Women s Writing in the 1980s * PART VIII: CULTURAL LANDSCAPES * 28: Gail McConnell: Catholic Art and Culture: Clarke to Heaney * 29: Elmer Kennedy-Andrews: In Belfast * 30: Peter McDonald: 'Our Lost Lives': Protestantism and Northern Irish Poetry * 31: Maria Johnston: Walking Dublin: Contemporary Irish Poets in the City * PART IX: THE POET AS CRITIC * 32: Hugh Haughton: The Irish Poet as Critic * 33: Steven Matthews: The Poet as Anthologist * 34: Jahan Ramazani: Irish Poetry and the News * PART X: ON POETIC FORM * 35: Alan Gillis: The Modern Irish Sonnet * 36: Stephen Regan: Irish Elegy After Yeats * 37: John Goodby: 'Repeat the changes change the repeats': Alternative Irish Poetry * 38: Fran Brearton: 'The nothing-could-be-simpler-line': Form in Contemporary Irish Poetry * PART XI: ON RECENT POETRY * 39: Catriona Clutterbuck: New Irish Women Poets: The Evolution of (In)determinacy in Vona Groarke * 40: Miriam Gamble: 'a potted peace / lily'? Northern Irish Poetry Since the Ceasefires
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