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Volume 1, The Timeless Way of Building, lays the foundation of the series. It presents a new theory of architecture, building, and planning which forms the bsis for a new traditional post-industrial architecture, created by the people. "Read it for inspiration; as a practicing planner, an educator, or a student, you cannot help but be challenged and stimulated by this book."--Dennis Michael Ryan, Journal of the American Planning Association Volume 2, A Pattern Language, is a working document for such an architecture. It is an archetypal language which allows lay persons to design for…mehr

Produktbeschreibung
Volume 1, The Timeless Way of Building, lays the foundation of the series. It presents a new theory of architecture, building, and planning which forms the bsis for a new traditional post-industrial architecture, created by the people. "Read it for inspiration; as a practicing planner, an educator, or a student, you cannot help but be challenged and stimulated by this book."--Dennis Michael Ryan, Journal of the American Planning Association Volume 2, A Pattern Language, is a working document for such an architecture. It is an archetypal language which allows lay persons to design for themselves. "I believe this to be perhaps the most important book on architectural design published this century. Every library, every school, every environmental action group, every architect, and every first-year student should have a copy."--Tony Ward, Architectural Design Volume 3, The Oregon Experiment, shows how this theory may be implemented, describing a new planning process for the University of Oregon. "The Oregon Experiment is perhaps this decade's best candidate for a permanently important book."--Robert Campbell, Harvard Magazine
Autorenporträt
Christopher Alexander is a builder, craftsman, general contractor, architect, painter, and teacher. He taught from 1963 to 2002 as Professor of Architecture at the University of California, Berkeley, and is now Professor Emeritus. He has spent his life running construction projects, experimenting with new building methods and materials, and crafting carefully articulated buildings--all to advance the idea that people can build environments in which they will thrive. Acting on his deeply-held conviction that, as a society, we must recover the means by which we can build and maintain healthy living environments, he has lived and worked in many cultures, and built buildings all over the world. Making neighborhoods, building-complexes, building, balustrades, columns, ceilings, windows, tiles, ornaments, models and mockups, paintings, furniture, castings and carvings--all this has been his passion, and is the cornerstone from which his paradigm-changing principles have been derived.