In The Melancholy Lens, author Tony Pipolo offers new insight into the psychological motivations of avant-garde filmmakers Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, focusing on aspects of their lives that impacted their art.
In The Melancholy Lens, author Tony Pipolo offers new insight into the psychological motivations of avant-garde filmmakers Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, focusing on aspects of their lives that impacted their art.
Tony Pipolo is Professor Emeritus of Film and Literature at CUNY, New York. He is also a psychoanalyst in private practice and writes frequently on film for various journals and magazines.
Inhaltsangabe
Introduction Chapter 1. Father Time: Maya Deren's Meshes of the Afternoon, At Land, and Ritual in Transfigured Time Chapter 2. This Common Clay: Stan Brakhage and Tortured Dust Chapter 3. A Dance with Death: Gregory Markopoulos and The Mysteries Chapter 4. Eros Interrupted: Robert Beavers's The Ground and Sotiros Chapter 5. The Tempering Frame: Ernie Gehr's Media Romance Afterword Notes Index
Introduction Chapter 1. Father Time: Maya Deren's Meshes of the Afternoon, At Land, and Ritual in Transfigured Time Chapter 2. This Common Clay: Stan Brakhage and Tortured Dust Chapter 3. A Dance with Death: Gregory Markopoulos and The Mysteries Chapter 4. Eros Interrupted: Robert Beavers's The Ground and Sotiros Chapter 5. The Tempering Frame: Ernie Gehr's Media Romance Afterword Notes Index
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