"Richly informative and conceptually sophisticated, Paul Gilmore's book argues that antebellum white male writers appropriated racialized body images from mass culture to market their antimarket manhood. Gilmore shows how unstable images of raced authenticity helped to stabilize literary manhood's 'impossible ideal,' to be in and above market culture."--David Leverenz, University of Florida
"Richly informative and conceptually sophisticated, Paul Gilmore's book argues that antebellum white male writers appropriated racialized body images from mass culture to market their antimarket manhood. Gilmore shows how unstable images of raced authenticity helped to stabilize literary manhood's 'impossible ideal,' to be in and above market culture."--David Leverenz, University of Florida
Illustrations > Acknowledgments > Introduction Prologue: Staging Manhood, Writing Manhood: Cultural Authority and the Indian Body 2. The Indian in the Museum: Henry David Thoreau, Okah Tubbee, and Authentic Manhood 3. A “Rara Avis in Terris”: Poe’s “Hop-Frog” and Race in the Antebellum Freak Show 4. Inward Criminality and the Shadow of Race: The House of the Seven Gables and Daguerreotypy Daguerreotypy Epilogue: Electric Chains Notes > Bibliography > Index
Illustrations > Acknowledgments > Introduction Prologue: Staging Manhood, Writing Manhood: Cultural Authority and the Indian Body 2. The Indian in the Museum: Henry David Thoreau, Okah Tubbee, and Authentic Manhood 3. A “Rara Avis in Terris”: Poe’s “Hop-Frog” and Race in the Antebellum Freak Show 4. Inward Criminality and the Shadow of Race: The House of the Seven Gables and Daguerreotypy Daguerreotypy Epilogue: Electric Chains Notes > Bibliography > Index
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