John Keats

The Complete Poems

• Broschiertes Buch

Produktbeschreibung

Along with Lord Byron and Percy Bysshe Shelley, John Keats is considered one of the most important figures in the second generation of English Romantic poets. Born on Halloween in 1795, John Keats lived a very short life, dying at the age of twenty-five from tuberculosis. In 1814 John Keats began an apprenticeship with Thomas Hammond, a surgeon and apothecary and by 1816 had achieved his apothecary's license, which allowed him to practice medicine. However Keats passion lied elsewhere and by the end of 1816 he was resolved to be a poet and not a surgeon. Despite his short life, Keats produced an immense volume of poetry; however the esteem of his reputation rests primarily on the quality of his Odes, which are marked by their use of sensual imagery. Keats was not well-received during his lifetime and sensing his imminent death viewed himself as a failure as is evidenced by the following statement written in an 1820 letter to Fanny Brawne: "I have left no immortal work behind me-nothing to make my friends proud of my memory-but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd." History of course has remembered Keats differently, as one of the truly great poetic talents of all-time. This edition is printed on premium acid-free paper and contains a complete collection of John Keats' poetry.

Produktdetails

• Verlag: Digireads.com
• Seitenzahl: 410
• Erscheinungstermin: 13. September 2021
• Englisch
• Abmessung: 216mm x 140mm x 24mm
• Gewicht: 576g
• ISBN-13: 9781420975352
• ISBN-10: 1420975358
• Artikelnr.: 62662590

Autorenporträt

John Keats was an English poet from the second generation of Romantic poets. He was born on October 31, 1795, and died on February 23, 1821. When he died at age 25, he had been writing poems for less than four years. During his life, people didn't care much about his works, but after he died, his fame grew quickly. By the end of the century, he was included in the canon of English literature. He had a big impact on many writers of the Pre-Raphaelite Brotherhood, and the Encyclopedia Britannica of 1888 called one of his odes "one of the final masterpieces." Jorge Luis Borges said that his first meeting with Keats was something he would remember for the rest of his life. Keats' style, especially in the series of odes, was "heavily loaded with sensualities." Like most Romantics, he used images from nature to show how strong his feelings were. His poems and letters, like "Ode to a Nightingale," "Ode on a Grecian Urn," "Sleep and Poetry," and "On First Looking into Chapman's Homer," are still some of the most popular and studied pieces of English literature today.

Inhaltsangabe

The Complete PoemsIntroduction
Note to the Third Edition
Acknowledgments
Table of Dates
Further Reading
Imitation of Spenser
On Peace
"Fill for me a brimming bowl"
To Lord Byron
"As from the darkening gloom a silver dove"
"Can death be sleep, when life is but a dream"
To Chatterton
Written on the Day that Mr. Leigh Hunt left Prison
To Hope
Ode to Apollo ("In thy western halls of gold")
Lines Written on 29 May The Anniversary of the Restoration of Charles the
2nd
To Some Ladies
On Receiving a Curious Shell, and a Copy of Verses, from the Same Ladies
To Emma
Song ("Stay, ruby-breasted warbler, stay")
"Woman! when I behold thee flippant, vain"
"O Solitude! if I must with thee dwell"
To George Felton Mathew
To [Mary Frogley]
To -- ("Had I a man's fair form, then might my sighs")
"Give me Women, Wine, and Snuff"
Specimen of an Induction to a Poem
Calidore. A Fragment
"To one who has been long in city pent"
"O! how I love, on a fair summer's eve"
To a Friend who Sent me some Roses
To my Brother George ("Many the wonders I this day have seen")
To Charles Cowden Clarke
"How many bards gild the lapses of time!"
On First Looking into Chapman's Homer
To a Young Lady who sent me a Laurel Crown
On Leaving some Friends at an Early Hour
"Keen, fitful gusts are whispering here and there"
Addressed to Haydon
To my Brothers
Addressed to [Haydon]
"I stood tip-toe upon a little hill"
Sleep and Poetry
Written in Disgust of Vulgar Superstition
On the Grasshopper and Cricket
To Kosciusko
To G[eorgiana] A[ugusta] W[ylie]
"Happy is England! I could be content"
"After dark vapours have oppressed our plains"
To Leigh Hunt, Esq.
Written on a Blank Space at the End of Chaucer's Tale of The Floure and the
Leafe
On Receiving a Laurel Crown from Leigh Hunt
To the Ladies who Saw Me Crowned
Ode to Apollo ("God of the golden bow")
On Seeing the Elgin Marbles
To B. R. Haydon, with a Sonnet Written on Seeing the Elgin Marbles
On The Story of Rimini
On a Leander Gem which Miss Reynolds, my Kind Friend, Gave Me
On the Sea
Lines ("Unfelt, unheard, unseen")
Stanzas ("You say you love; but with a voice")
"Hither, hither, love -"
Lines Rhymed in a Letter Received (by J. H. Reynolds) From Oxford
"Think not of it, sweet one, so - "
Endymion: A Poetic Romance
"In drear-nighted December"
Nebuchadnezzar's Dream
Apollo to the Graces
To Mrs. Reynolds's Cat
On Seeing a Lock of Milton's Hair. Ode
On Sitting Down to Read King Lear Once Again
"When I have fears that I may cease to be"
"O blush not so! O blush not so!"
"Hence Burgundy, Claret, and Port"
"God of the meridian"
Robin Hood
Lines on the Mermaid Tavern
To - ("Time's sea hath been five years at its slow ebb")
To the Nile
"Spenser! a jealous honourer of thine"
"Blue! 'Tis the life of heaven, the domain"
"O thou whose face hath felt the Winter's wind"
Sonnet to A[ubrey] G[eorge] S[pencer]
Extracts from an Opera
i. "O! were I one of the Olympian twelve"
ii. Daisy's Song
iii. Folly's Song
iv. "O, I am frightened with most hateful thoughts"
v. Song ("The stranger lighted from his steed")
vi. "Asleep! O sleep a little while, white pearl!"
The Human Seasons
"For there's Bishop's Teign"
"Where be ye going, you Devon maid?"
"Over the hill and over the dale"
To J. H. Reynolds, Esq.
To J[ames] R[ice]
Isabella; or, The Pot of Basil
To Homer
Ode to May. Fragment
Acrostic
"Sweet, sweet is the greeting of eyes"
On Visiting the Tomb of Burns
"Old Meg she was a gipsy"
A Song about Myself
"Ah! ken ye what I met the day"
To Ailsa Rock
"This mortal body of a thousand days"
"All gentle folks who owe a grudge"
"Of late two dainties were before me placed"
Lines Written in the Highlands after a Visit to Burns's Country
On Visiting Staffa
"Read me a lesson, Muse, and speak it loud"
"Upon my life, Sir Nevis, I am piqued"
Stanzas on some Skulls in Beauly Abbey, near Inverness
Translated from Ronsard
"'Tis 'the witching time of night'"
"Welcome joy, and welcome sorrow"
Song ("Spirit that here reignest")
"Where's the Poet? Show him, show him"
Fragment of the "Castle Builder"
"And what is love? It is a doll dressed up"
Hyperion. A Fragment
Fancy
Ode ("Bards of Passion and of Mirth")
Song ("I had a dove and the sweet dove died")
Song ("Hush, hush! tread softly! hush, hush my dear!")
The Eve of St. Agnes
The Eve of St. Mark
"Gif ye wol stonden hardie wight"
"Why did I laugh tonight?"
Faery Bird's Song ("Shed no tear - O, shed no tear!")
Faery Song ("Ah! woe is me! poor silver-wing!")
"When they were come unto the Faery's Court"
"The House of Mourning written by Mr. Scott"
Character of Charles Brown
A Dream, after reading Dante's Episode of Paolo and Francesca
La Belle Dame Sans Merci. A Ballad
Song of Four Faeries
To Sleep
"If by dull rhymes our English must be chained"
Ode to Psyche
On Fame (I) ("Fame, like a wayward girl, will still be coy")
On Fame (II) ("How fevered is the man who cannot look")
"Two or three posies"
Ode on a Grecian Urn
Ode to a Nightingale
Ode on Melancholy
Ode on Indolence
Otho the Great. A Tragedy in Five Acts
Lamia
"Pensive they sit, and roll their languid eyes"
To Autumn
The Fall of Hyperion. A Dream
"The day is gone, and all its sweets are gone"
"What can I do to drive away"
"I cry your mercy, pity, love - ay, love"
"Bright star! would I were as steadfast as thou art"
King Stephen. A Fragment of a Tragedy
"This living hand, now warm and capable"
The Cap and Bells; or, The Jealousies
To Fanny
"In after-time, a sage of mickle lore"
Three Undated Fragments
Doubtful Attributions:
"See, the ship in the bay is riding"
The Poet
Gripus
Appendix 1: Wordsworth and Hazlitt on the Origins of Greek Mythology
Appendix 2: The Two Prefaces to Endymion
Appendix 3: The Order of Poems in Poems (1817) and Lamia, Isabella, The Eve
of St. Agnes, and Other Poems (1820) and The Publisher's Advertisement for
1820
Appendix 4: Keats's Notes on Milton's Paradise Lost
Appendix 5: Keats on Kean's Shakespearean Acting
Appendix 6: Selection of Keats's Letters
Notes
Dictionary of Classical Names
Index of Titles
Index of First Lines