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Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts and is organized around both print and non-print media, both the print, pictorial art, and theater of that era as well as communicative technologies invented afterward, including photography, film, video, and digital screens.

Produktbeschreibung
Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts and is organized around both print and non-print media, both the print, pictorial art, and theater of that era as well as communicative technologies invented afterward, including photography, film, video, and digital screens.
Autorenporträt
Orrin N. C. Wang is Professor of English and Comparative Literature at the University of Maryland, College Park. He is the author of Fantastic Modernity: Dialectical Readings in Romanticism and Theory (Johns Hopkins University Press, 1996) and Romantic Sobriety: Sensation, Revolution, Commodification, History (Johns Hopkins University Press, 2011), which won the 2011 Jean-Pierre Barricelli Prize, and editor of "Frankenstein" in Theory: A Critical Anatomy (Bloomsbury, 2021). He is the General Editor of Romantic Circles and recipient of the 2020 Keats-Shelley Association of America Distinguished Scholar Award.