Seeks to reassess the dramatic output of the Commonwealth, Protectorate and early Restoration; a period that has often been marginalised by specialists of both Renaissance and Restoration drama.
Seeks to reassess the dramatic output of the Commonwealth, Protectorate and early Restoration; a period that has often been marginalised by specialists of both Renaissance and Restoration drama.
Rachel Willie is Lecturer in English Literature at Bangor University
Inhaltsangabe
Introduction: Of 1647, theatre closure and reinvention 1. The paper stage 2. Fairs, ghosts, tyranny and usurpation: debating the body politic on the paper stage 3. Reinventing the masque: Shirley and Davenant's protectorate entertainments 4. Heroic drama on the commonwealth and Restoration stage 5. Ideas of panegyric in early Restoration comedy Epilogue: Of 1688 and reinventing the past Bibliography Index
Introduction: Of 1647, theatre closure and reinvention 1. The paper stage 2. Fairs, ghosts, tyranny and usurpation: debating the body politic on the paper stage 3. Reinventing the masque: Shirley and Davenant's protectorate entertainments 4. Heroic drama on the commonwealth and Restoration stage 5. Ideas of panegyric in early Restoration comedy Epilogue: Of 1688 and reinventing the past Bibliography Index
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