The book uniquely brings together the fields of theater history, print culture, and literature, exploring new contexts around the work of actor Edmund Kean, essayist William Hazlitt, and poet John Keats, and reframing the relationship between theater, essays and poetry in Regency London.
The book uniquely brings together the fields of theater history, print culture, and literature, exploring new contexts around the work of actor Edmund Kean, essayist William Hazlitt, and poet John Keats, and reframing the relationship between theater, essays and poetry in Regency London.
Jonathan Mulrooney is Professor of English and former Chair of the English Department at the College of the Holy Cross, Massachusetts.
Inhaltsangabe
Acknowledgements Introduction Part I. The Making of British Theater Audiences: 1. Theater and the daily news 2. Britain's theatrical press 1800¿1830 Part II. Theater and Late Romanticism: 3. Edmund Kean's controversy 4. Hazlitt's romantic occasionalism 5. Keats, Kean, and the poetics of interruption Bibliography Index.
Acknowledgements Introduction Part I. The Making of British Theater Audiences: 1. Theater and the daily news 2. Britain's theatrical press 1800¿1830 Part II. Theater and Late Romanticism: 3. Edmund Kean's controversy 4. Hazlitt's romantic occasionalism 5. Keats, Kean, and the poetics of interruption Bibliography Index.
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