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From forgetting lines to watching Phantom of the Opera, this book uses a range of musicals, plays and experimental performances to show what theatre is made of and how we experience it. Its broad scope will appeal to theatre-goers, while its performance analyses, informed by assemblage theory, will be invaluable for students and theatre scholars.

Produktbeschreibung
From forgetting lines to watching Phantom of the Opera, this book uses a range of musicals, plays and experimental performances to show what theatre is made of and how we experience it. Its broad scope will appeal to theatre-goers, while its performance analyses, informed by assemblage theory, will be invaluable for students and theatre scholars.
Autorenporträt
Paul Rae is Associate Professor in Theatre Studies at the University of Melbourne. He is the author of Theatre and Human Rights (2009). He has published widely on contemporary theatre and on Asia-Pacific performance cultures, and from 2015¿18 was Senior Editor of the journal Theatre Research International.