A pathbreaking work of scholarship that will reshape our understanding of the Harlem Renaissance, < i>
Revisiting black trans-national culture in the 1920s and 1930s, Brent Edwards suggest that diaspora is less a historical condition than a set of practices: the claims, correspondences and collaborations through which black intellectuals pursue a variety of international alliances.
Revisiting black trans-national culture in the 1920s and 1930s, Brent Edwards suggest that diaspora is less a historical condition than a set of practices: the claims, correspondences and collaborations through which black intellectuals pursue a variety of international alliances.