Andrew McCann is currently an associate professor in the Department of English at Dartmouth College. He is author of Cultural Politics in the 1790s: Literature, Radicalism and the Public Sphere (1999) and Marcus Clarke's Bohemia: Literature and Modernity in Colonial Melbourne (2004).
Inhaltsangabe
Introduction: popular fiction as media histrionics 1. Property, professionalism and the pathologies of literature: Walter Besant and the discourse of authorship circa 1890 2. Dreaming true: aesthetic experience, psychiatric power and the paranormal in George Du Maurier's Peter Ibbetson 3. Marie Corelli and the spirit of the market 4. Writing aestheticism through colonial eyes: Rosa Praed and the theosophical novel 5. Arthur Machen and the 'Differentia of Literature' Conclusion: the popular fiction of critical theory Bibliography.
Introduction: popular fiction as media histrionics 1. Property, professionalism and the pathologies of literature: Walter Besant and the discourse of authorship circa 1890 2. Dreaming true: aesthetic experience, psychiatric power and the paranormal in George Du Maurier's Peter Ibbetson 3. Marie Corelli and the spirit of the market 4. Writing aestheticism through colonial eyes: Rosa Praed and the theosophical novel 5. Arthur Machen and the 'Differentia of Literature' Conclusion: the popular fiction of critical theory Bibliography.
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