This book explores Larkin's engagement with popular culture both as a threat to poetic authority and as a necessary form of cultural capital. It reveals the processes by which the social, contemporary, and politically charged practices of everyday life become the property of the cultured individual.
This book explores Larkin's engagement with popular culture both as a threat to poetic authority and as a necessary form of cultural capital. It reveals the processes by which the social, contemporary, and politically charged practices of everyday life become the property of the cultured individual.
Chapter 1: Negotiating the Popular Chapter 2: The Hughes/Larkin Phenomenon Chapter 3: Poetry Says "Fuck": Swearing as Social Capital Chapter 4: Larkitecture: Space Structure and Stuff in Post-imperial England Chapter 5: Larkin and the English Bachelor Afterword: More Bachelors Artists and Church-Goers References Index About the Author
Chapter 1: Negotiating the Popular Chapter 2: The Hughes/Larkin Phenomenon Chapter 3: Poetry Says "Fuck": Swearing as Social Capital Chapter 4: Larkitecture: Space Structure and Stuff in Post-imperial England Chapter 5: Larkin and the English Bachelor Afterword: More Bachelors Artists and Church-Goers References Index About the Author
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