Paradise - Alighieri, Dante
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Paradise, the third and final part of The Divine Comedy, tells the story of Dante's journey through the heavenly realms. Representative of the divine soul's ascent to the Lord, this timeless epic portrays haven as a series of intricate spheres which surround the Earth. Each of these represents an astronomical body, such as the Moon, Mercury, Venus and even the distant stars. Dante's deceased love interest, Beatrice Portinari, is his guide through the journey to the paradise of heaven. Just as Dante depicted Hell as having nine circles, Heaven is depicted as consisting of nine celestial…mehr

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Produktbeschreibung
Paradise, the third and final part of The Divine Comedy, tells the story of Dante's journey through the heavenly realms. Representative of the divine soul's ascent to the Lord, this timeless epic portrays haven as a series of intricate spheres which surround the Earth. Each of these represents an astronomical body, such as the Moon, Mercury, Venus and even the distant stars. Dante's deceased love interest, Beatrice Portinari, is his guide through the journey to the paradise of heaven. Just as Dante depicted Hell as having nine circles, Heaven is depicted as consisting of nine celestial spheres. Gradually the pair ascend through each of these, observing their appearance and meeting with various inhabitants along the way. The poem's grand finale sees Dante and Beatrice enter the Empyrean - the very home of God himself. Beatrice's beauty becomes more marked, while Dante himself is bathed in an intense light, so that he may be fit to behold the divine.
Autorenporträt
Durante di Alighiero degli Alighieri, commonly known by his pen name Dante Alighieri or simply as Dante, was an Italian poet. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. In the Late Middle Ages, most poetry was written in Latin, making it accessible only to the most educated readers. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended the use of the vernacular in literature. He would even write in the Tuscan dialect for works such as The New Life (1295) and the Divine Comedy; this highly unorthodox choice set a precedent that important later Italian writers such as Petrarch and Boccaccio would follow. Dante was instrumental in establishing the literature of Italy, and his depictions of Hell, Purgatory and Heaven provided inspiration for the larger body of Western art. He is cited as an influence on John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him. He is described as the "father" of the Italian language, and in Italy, he is often referred to as il Sommo Poeta ("the Supreme Poet"). Dante, Petrarch, and Boccaccio are also called the tre corone ("three crowns") of Italian literature.