An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Ouverture David Vickers Act I. Handel's Music and Creative Practices 1 'Almire regiere': Some Reflections on the First Aria in Handel's First Opera David Kimbell 2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musica Suzana Ograjenek 3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his Contemporaries John H. Roberts 4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737 David Vickers 5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6 Silas Wollston 6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757) Matthew Gardner Act II. Sources, Documents and Attributions 7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and Chronology Andrew V. Jones 8 When and Why Did Handel Replace his Conducting Scores? Hans Dieter Clausen 9 Handel, the Duke of Chandos and Investing in the Royal African Company David Hunter 10 Handel and Comus at Exton Colin Timms 11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and Production Leslie M.M. Robarts 12 New Music by Handel for Horns? ¿Anthony Hicks (rev. Colin Timms) Act III. Context and Reception 13 Bach and Handel: Differences within a Common Culture of Musical Invention John Butt 14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730s Richard G. King 15 Charles Jennens Revisited Ruth Smith 16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's Lifetime Graydon Beeks 17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760) Tríona O'Hanlon 18 Early Keepers of the Flame: Vanneschi (and Handel) at the Opera Michael Burden 19 Revamped Handel: The Content and Context of his So-Called 'Miserere' H. Diack Johnstone 20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu' Annette Landgraf The Works of Donald Burrows Index of Handel's Works General Index Tabula Gratulatoria
Ouverture David Vickers Act I. Handel's Music and Creative Practices 1 'Almire regiere': Some Reflections on the First Aria in Handel's First Opera David Kimbell 2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musica Suzana Ograjenek 3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his Contemporaries John H. Roberts 4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737 David Vickers 5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6 Silas Wollston 6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757) Matthew Gardner Act II. Sources, Documents and Attributions 7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and Chronology Andrew V. Jones 8 When and Why Did Handel Replace his Conducting Scores? Hans Dieter Clausen 9 Handel, the Duke of Chandos and Investing in the Royal African Company David Hunter 10 Handel and Comus at Exton Colin Timms 11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and Production Leslie M.M. Robarts 12 New Music by Handel for Horns? ¿Anthony Hicks (rev. Colin Timms) Act III. Context and Reception 13 Bach and Handel: Differences within a Common Culture of Musical Invention John Butt 14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730s Richard G. King 15 Charles Jennens Revisited Ruth Smith 16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's Lifetime Graydon Beeks 17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760) Tríona O'Hanlon 18 Early Keepers of the Flame: Vanneschi (and Handel) at the Opera Michael Burden 19 Revamped Handel: The Content and Context of his So-Called 'Miserere' H. Diack Johnstone 20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu' Annette Landgraf The Works of Donald Burrows Index of Handel's Works General Index Tabula Gratulatoria
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