Donna Soto-Morettini (UK Edinburgh Napier University)

My Character Wouldn't Do That

Acting, Cognitive Science and the Optimal Performance Brain

• Broschiertes Buch

Produktbeschreibung

Starting from the idea that the main hindrance to a great acting performance is self-consciousness on the part of the performer, My Character Wouldn¿t do That examines the ways in which some of our traditional and contemporary approaches to acting put us into a `mind space¿ that can encourage self-consciousness. Examining evidence from a range of contemporary cognitive sciences, the book approaches acting and actor training in an entirely different way. Based on the latest research into brain activity and human behaviour, the book covers areas that standard acting texts do (character, emotion, memory, imagination, making active choices) but reconceives each of these elements through the lens of that contemporary research. The book is the first to look closely at what contemporary research tells us about:· personality/character and how environment shapes us· how memory works and how actors can work with (rather than against) their memory in preparing for performance· why actors must use different kinds of brain states and imagination in the various stages of preparation, rehearsal, and performance· how actors can frame active choices in a way that refocuses the source of thought and action· why actors should distinguish the stages of preparation and the kinds of thinking / imagination that works at each stage

Produktdetails

• Verlag: Bloomsbury Publishing PLC
• Seitenzahl: 176
• Erscheinungstermin: 10. Februar 2022
• Englisch
• Abmessung: 139mm x 215mm x 16mm
• Gewicht: 228g
• ISBN-13: 9781350230347
• ISBN-10: 1350230340
• Artikelnr.: 62123564

Autorenporträt

Donna Soto-Morettini has served as Director of Drama for the Royal Conservatoire of Scotland, Head of Acting and Dance for Liverpool Institute for Performing Arts, and Head of Acting at the Royal Central School of Speech and Drama, London, UK. She has worked as casting director and performance coach for Andrew Lloyd Webber's television shows, as casting director for The Voice and performance coach for ITV's Popstar to Opera Star. Her books include Mastering the Audition: How to Perform Under Pressure (2012),Popular Singing and Style (2014), and Mastering the Shakespeare Audition (2016) and The Philosophical Actor (2010).

Inhaltsangabe

Acknowledgements Introduction Acting Good And Bad What Does a Good
Performance Feel Like? An Actor's Brain Works In 3 Stages Acting Is a
Holistic Process The Actor's Brain Our Specs Battling On More Than One
Front Self-Consciousness And Fear Modes Of Thinking The Right Mode at The
Right Time Memory How Memory Works Text And Memory Memory And Mood
Congruence The Blissful State of Automaticity Working With Memory
Character Who Am I Anyway? Predicting Behaviour My Character Wouldn't Do
That Turn Your Prep on Its Head Imagination And Attention The Fragile State
of Attention 2 Types of Imagination The Impulse to Speak Mindfulness As a
Weapon Emotion Emotion And Feeling The WHOLE Emotional Picture: Primary,
Background, And Social Emotion Learning From Sherlock Holmes Performance
Anxiety Your Brain Is Not Your Friend The Power of Accepting Yourself
Letting The Mental Battle Go Selected Bibliography Index