This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain, capturing the difficult and uncertain cultural process of attaching value to printed paper as a medium.
This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain, capturing the difficult and uncertain cultural process of attaching value to printed paper as a medium.
AMANDA LAHIKAINEN is the executive director of the Ogunquit Museum of American Art in Ogunquit, Maine. Prior to joining OMAA, she served as an associate professor of art history and chairperson of the art department at Aquinas College in Grand Rapids, Michigan.
Inhaltsangabe
Acknowledgments List of Tables and Figures Introduction The Inflation of Georgian Graphic Satire
Chapter One Money, Fact, and Value Chapter Two Crisis Chapter Three Subjectivity and Trust Chapter Four Imitation and Immateriality Chapter Five Materiality Chapter Six The Deflation of Georgian Graphic Satire Epilogue Beyond Britain
Acknowledgments List of Tables and Figures Introduction The Inflation of Georgian Graphic Satire
Chapter One Money, Fact, and Value Chapter Two Crisis Chapter Three Subjectivity and Trust Chapter Four Imitation and Immateriality Chapter Five Materiality Chapter Six The Deflation of Georgian Graphic Satire Epilogue Beyond Britain
Notes Bibliography Index
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