"I am especially excited by the interviews Anthony Macias conducted, which make central perspectives long missing from scholarship on jazz, swing, and R & B. Macias's method of looking at Los Angeles's social geography of race and ethnicity 'through a prism of popular music' will be of great interest to those interested in the histories of popular music, Mexican America, and Los Angeles."--Sherrie Tucker, author of "Swing Shift: "All-Girl" Bands of the 1940s"
"I am especially excited by the interviews Anthony Macias conducted, which make central perspectives long missing from scholarship on jazz, swing, and R & B. Macias's method of looking at Los Angeles's social geography of race and ethnicity 'through a prism of popular music' will be of great interest to those interested in the histories of popular music, Mexican America, and Los Angeles."--Sherrie Tucker, author of "Swing Shift: "All-Girl" Bands of the 1940s"
Anthony Macías is Associate Professor of Ethnic Studies at the University of California, Riverside.
Inhaltsangabe
Illustrations xi Acknowledgments xv Introduction. The Mexican American Generation, Music, and Los Angeles 1 1. Mojo in Motion: The Swing Era 12 2. The Drape Shape: Intercultural Style Politics 62 3. Boogie Woogie Breakthrough: The Rhythm and Blues Era 118 4. Come On, Let's Go: The Rock and Roll Era 173 5. Con Sabor Latino: Latin Jazz, the Mambo, and Latin Holidays 229 Conclusion. Alternate Takes and Political Generations 281 Notes 291 Bibliography 347 Index 369
Illustrations xi Acknowledgments xv Introduction. The Mexican American Generation, Music, and Los Angeles 1 1. Mojo in Motion: The Swing Era 12 2. The Drape Shape: Intercultural Style Politics 62 3. Boogie Woogie Breakthrough: The Rhythm and Blues Era 118 4. Come On, Let's Go: The Rock and Roll Era 173 5. Con Sabor Latino: Latin Jazz, the Mambo, and Latin Holidays 229 Conclusion. Alternate Takes and Political Generations 281 Notes 291 Bibliography 347 Index 369
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