Argues that the small town, as evoked by the image of 'Main Street' is not a relic of the past but rather a metaphorical screen upon which the US's everyday stories and subjects are projected on both a national and global level. It brings together a wide range of literary, cultural, and political texts to examine how the small town is used to imagine and reproduce the US throughout the twentieth- and into the twenty-first century.
Argues that the small town, as evoked by the image of 'Main Street' is not a relic of the past but rather a metaphorical screen upon which the US's everyday stories and subjects are projected on both a national and global level. It brings together a wide range of literary, cultural, and political texts to examine how the small town is used to imagine and reproduce the US throughout the twentieth- and into the twenty-first century.
Acknowledgments Introduction: The Small Town as Modern Nation Form 1. Sacred Islands in Modernity: The Prehistory of the Dominant Small Town 2. An Unfinished Revolution: "The Revolt from the Village" Reconsidered 3. Mapping the Modern Small Town: A Circular Imaginary 4. A New Machine in the Small-Town Garden: Periodizing an Automodernity 5. The Formation of a U.S. Fascist Aesthetics; or, Welcome to Main Street 6. Staging and Archiving the Nation: Pedagogical Theater, Thornton Wilder's Our Town, and U.S. Imperialism 7. "One Happy World": The Postmodern Small Town and the Small-Town Postmodern 8. Global Belonging: The Small Town as the World's Home Afterword: The Global Village Notes Bibliography Index
Acknowledgments Introduction: The Small Town as Modern Nation Form 1. Sacred Islands in Modernity: The Prehistory of the Dominant Small Town 2. An Unfinished Revolution: "The Revolt from the Village" Reconsidered 3. Mapping the Modern Small Town: A Circular Imaginary 4. A New Machine in the Small-Town Garden: Periodizing an Automodernity 5. The Formation of a U.S. Fascist Aesthetics; or, Welcome to Main Street 6. Staging and Archiving the Nation: Pedagogical Theater, Thornton Wilder's Our Town, and U.S. Imperialism 7. "One Happy World": The Postmodern Small Town and the Small-Town Postmodern 8. Global Belonging: The Small Town as the World's Home Afterword: The Global Village Notes Bibliography Index
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