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While Doris Lessing was composing The Golden Notebook , she was intimately involved with Clancy Sigal and their relationship influenced the literary methods of both writers. Focusing on literary transformations, Rubenstein offers compelling insights into the ethical implications of disguised autobiography and roman à clef .
"Roberta Rubenstein's excellent Literary Half-Lives: Doris Lessing, Clancy Sigal, and Roman à clef, which draws on substantial new archival research to illustrate that the literary borrowings ... between Lessing and Sigal went farther than scholars realize. The book is, to mind, as essential a contribution to Lessing Scholarship ... ." (Drew Patrick Shannon, Doris Lessing Studies, Vol. 33, December, 2015)
"Literary Half-Lives is a scrupulously researched and riveting account of two major literary talents whose mutual influence led to their 'literary half-lives' in one another's works." - Washington Independent Review of Books
"Roberta Rubenstein intends her book to be more than a kiss-and-tell; she wants the story of these stories to open up larger questions about obsession and creativity, about the ethics of writing a roman à clef, and the impossibility of locating a single '"true" version of any experience.'" - Times Literary Supplement
"A pleasure to read. A rich accounting of the ways in which the ingredients of life - especially and complexly recounted in journals - are then transformed into fiction or drama. Readers of The Golden Notebook who remember Anna Wulf's reading of her American lover's journal will be intrigued by Rubenstein's review of Clancy Sigal's long-lived obsession - in his work and in his journals - with this particular incident." - Florence Howe, Professor Emerita of English, CUNY Graduate Center, USA and author of A Life in Motion (CUNY at Feminist Press)
"Roberta Rubenstein deftly explores the double helix of intertwined literary lives, teasing open the delicate braid of love, influence and competition. Her insight let's the reader peer through the kaleidoscope of culture, in a particular time and place and record the impact of social history as lived and written about by Lessing and Sigal, and as the kaleidoscope slowly turns the reader sees things in a new and luminous light." - A.M. Homes, Princeton University, USA
"Literary Half-Lives makes a significant contribution to Lessing scholarship and will be of intense interest to the global community of Lessing scholars. Rubenstein provides a helpful theoretical and ethical framework for approaching the issues raised by Lessing and Sigal's 'mining' of their personal relationship for material for their writing and reaches a persuasive conclusion about them while still leaving the final ethical judgment up to the reader. Given its interesting autobiographical content and accessible, jargon-free writing style, this book will appeal not only to scholars but also to the general readers of Lessing." - Alice Ridout, Visiting Assistant Professor of English, Algoma University, Canada
"Literary Half-Lives charts the fascinating progression of personal and textual relations between the once-lovers Doris Lessing and Clancy Sigal. Rubinstein brings together two bodies of work to examine and theorize the literary practice of transforming the 'raw materials' of one's personal experiences and relationships into imaginative literary writing...The final chapters suggest the need for a much broader study of literary cross-borrowings between authors intimately involved with one another... Rubenstein has established a field of enquiry that will excite further study." - Contemporary Women's Writing
"Literary Half-Lives is a scrupulously researched and riveting account of two major literary talents whose mutual influence led to their 'literary half-lives' in one another's works." - Washington Independent Review of Books
"Roberta Rubenstein intends her book to be more than a kiss-and-tell; she wants the story of these stories to open up larger questions about obsession and creativity, about the ethics of writing a roman à clef, and the impossibility of locating a single '"true" version of any experience.'" - Times Literary Supplement
"A pleasure to read. A rich accounting of the ways in which the ingredients of life - especially and complexly recounted in journals - are then transformed into fiction or drama. Readers of The Golden Notebook who remember Anna Wulf's reading of her American lover's journal will be intrigued by Rubenstein's review of Clancy Sigal's long-lived obsession - in his work and in his journals - with this particular incident." - Florence Howe, Professor Emerita of English, CUNY Graduate Center, USA and author of A Life in Motion (CUNY at Feminist Press)
"Roberta Rubenstein deftly explores the double helix of intertwined literary lives, teasing open the delicate braid of love, influence and competition. Her insight let's the reader peer through the kaleidoscope of culture, in a particular time and place and record the impact of social history as lived and written about by Lessing and Sigal, and as the kaleidoscope slowly turns the reader sees things in a new and luminous light." - A.M. Homes, Princeton University, USA
"Literary Half-Lives makes a significant contribution to Lessing scholarship and will be of intense interest to the global community of Lessing scholars. Rubenstein provides a helpful theoretical and ethical framework for approaching the issues raised by Lessing and Sigal's 'mining' of their personal relationship for material for their writing and reaches a persuasive conclusion about them while still leaving the final ethical judgment up to the reader. Given its interesting autobiographical content and accessible, jargon-free writing style, this book will appeal not only to scholars but also to the general readers of Lessing." - Alice Ridout, Visiting Assistant Professor of English, Algoma University, Canada
"Literary Half-Lives charts the fascinating progression of personal and textual relations between the once-lovers Doris Lessing and Clancy Sigal. Rubinstein brings together two bodies of work to examine and theorize the literary practice of transforming the 'raw materials' of one's personal experiences and relationships into imaginative literary writing...The final chapters suggest the need for a much broader study of literary cross-borrowings between authors intimately involved with one another... Rubenstein has established a field of enquiry that will excite further study." - Contemporary Women's Writing