This book examines Qajar Iran (1785-1925) as an ocular-centered society founded on what was seen and unseen, in the context of increasing modernization and global contact during the nineteenth and early twentieth centuries.
This book examines Qajar Iran (1785-1925) as an ocular-centered society founded on what was seen and unseen, in the context of increasing modernization and global contact during the nineteenth and early twentieth centuries.
Staci Gem Scheiwiller is Assistant Professor of Modern Art History at California State University, Stanislaus. Her publications include a co-edited volume with Markus Ritter entitled The Indigenous Lens: Early Photography in the Near and Middle East (2017) and the edited volume Performing the Iranian State: Visual Culture and Representations of Iranian Identity (2013).
Inhaltsangabe
1. Introduction: Locations of Desire 2. A Language of Its Own: Depictions of Women in Iranian Art Before and Shortly After the Arrival of Photography 3. Corporeal Politics: Constructions of Gender and Power in the Royal Nasiri Photograph Albums and the Photography of the Constitutional Revolution (1905-11) 4. Collecting Women 5. The Erotic Spaces of Qajar Photography 6. For the Male Gaze: Depictions of Masculinity and Sexuality 7. Enslaved Bodies of Desire: Photographs of Black African Slaves 8. Conclusion: The Inevitable Witness
1. Introduction: Locations of Desire 2. A Language of Its Own: Depictions of Women in Iranian Art Before and Shortly After the Arrival of Photography 3. Corporeal Politics: Constructions of Gender and Power in the Royal Nasiri Photograph Albums and the Photography of the Constitutional Revolution (1905-11) 4. Collecting Women 5. The Erotic Spaces of Qajar Photography 6. For the Male Gaze: Depictions of Masculinity and Sexuality 7. Enslaved Bodies of Desire: Photographs of Black African Slaves 8. Conclusion: The Inevitable Witness
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