This critical study of John Banville's major work considers the manner in which his fiction intersects with a variety of ideas relating to art. It also proposes that Banville's fiction represents a significant development in Irish writing, and contemporary prose fiction, in its advanced reconstitution of the self-reflexive form.
This critical study of John Banville's major work considers the manner in which his fiction intersects with a variety of ideas relating to art. It also proposes that Banville's fiction represents a significant development in Irish writing, and contemporary prose fiction, in its advanced reconstitution of the self-reflexive form.
Acknowledgments List of Abbreviations Introduction Chapter 1 The Early Evolution of an Aesthetic: From Long Lankin to Mefisto Chapter 2 The Frames Trilogy: The Book of Evidence, Ghosts, and Athena Chapter 3 Brush-Strokes of Memory: The Sea Chapter 4 The Art of Self-Reflexivity: The Cleave Novels Chapter 5 John Banville and Heinrich von Kleist-The Art of Confusion: The Broken Jug, God's Gift, Love in the Wars, and The Infinities 000 Chapter 6 Art and Crime: Benjamin Black's Quirke Novels Conclusion Bibliography
Acknowledgments List of Abbreviations Introduction Chapter 1 The Early Evolution of an Aesthetic: From Long Lankin to Mefisto Chapter 2 The Frames Trilogy: The Book of Evidence, Ghosts, and Athena Chapter 3 Brush-Strokes of Memory: The Sea Chapter 4 The Art of Self-Reflexivity: The Cleave Novels Chapter 5 John Banville and Heinrich von Kleist-The Art of Confusion: The Broken Jug, God's Gift, Love in the Wars, and The Infinities 000 Chapter 6 Art and Crime: Benjamin Black's Quirke Novels Conclusion Bibliography
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