A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe.
A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe.
KEITH B. WAGNER is an assistant professor of global media and culture and director of doctoral research in film and media studies at University College London in the United Kingdom. He is the coeditor of Neoliberalism and Global Cinema: Capital, Culture and Marxist Critique. JEREMI SZANIAWSKI is an assistant professor of film studies and comparative literature, and the Amesbury Professor of Polish language and culture at the University of Massachusetts at Amherst. He is the author of The Cinema of Alexander Sokurov: Figures of Paradox. MICHAEL CRAMER is a professor of cinema studies at Sarah Lawrence College in Bronxville, New York. He is the author of Utopian Television: Roberto Rossellini, Peter Watkins, and Jean-Luc Godard Beyond Cinema.
Inhaltsangabe
Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies MICHAEL CRAMER, JEREMI SZANIAWSKI, AND KEITH B. WAGNER 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” DUDLEY ANDREW 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film JOHN MACKAY 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema JEREMI SZANIAWSKI 4 Jameson, Angelopoulos, and the Spirit of Utopia PAUL COATES 5 Jameson and Japanese Media Theory: A Virtual Dialogue NAOKI YAMAMOTO 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema ALVIN K. WONG 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul KEITH B. WAGNER 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil MERCEDES VÁZQUEZ 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men MICHAEL CRAMER 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness MIKE WAYNE 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic PANSY DUNCAN 12 “An American Utopia” and the Politics of Military Science Fiction DAN HASSLER-FOREST Afterword FREDRIC JAMESON Acknowledgments Notes on Contributors Index
Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies MICHAEL CRAMER, JEREMI SZANIAWSKI, AND KEITH B. WAGNER 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” DUDLEY ANDREW 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film JOHN MACKAY 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema JEREMI SZANIAWSKI 4 Jameson, Angelopoulos, and the Spirit of Utopia PAUL COATES 5 Jameson and Japanese Media Theory: A Virtual Dialogue NAOKI YAMAMOTO 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema ALVIN K. WONG 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul KEITH B. WAGNER 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil MERCEDES VÁZQUEZ 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men MICHAEL CRAMER 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness MIKE WAYNE 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic PANSY DUNCAN 12 “An American Utopia” and the Politics of Military Science Fiction DAN HASSLER-FOREST Afterword FREDRIC JAMESON Acknowledgments Notes on Contributors Index
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