Argues that mandated normativity - as a political agenda and a social ethic - precluded explicit expression of the anxiety produced by America's radically reconfigured postwar population. Alan Nadel explores influential non-fiction books, magazine articles, and public documents in conjunction with films to examine how these films worked through fresh anxieties that emerged during the 1950s.
Argues that mandated normativity - as a political agenda and a social ethic - precluded explicit expression of the anxiety produced by America's radically reconfigured postwar population. Alan Nadel explores influential non-fiction books, magazine articles, and public documents in conjunction with films to examine how these films worked through fresh anxieties that emerged during the 1950s.
ALAN NADEL is the William T. Bryan Chair of American Literature and Culture at the University of Kentucky in Lexington. He is the author or editor of several books, including Containment Culture: American Narratives, Postmodernism, and the Atomic Age.
Inhaltsangabe
Preface 1. The Character of Post–World War II America 2. Singin’ in the (HUAC) Rain: Job Security, Stardom, and the Abjection of Lena Lamont 3. It’s All about Eve 4. “What Starts Like a Scary Tale . . .”: The Right to Work On the Waterfront 5. “Life Could Not Better Be”: Disorganized Labor, the Little Man, and The Court Jester 6. Citizens of the Free World Unite: International Tourism and Postwar Identity in Roman Holiday, The Teahouse of the August Moon, and Sayonara 7. Expedient Exaggeration and the Scale of Cold War Farce in North by Northwest 8. Defiant Desegregation with No (Liberal) Way Out 9. “I Want to Be in America”: Urban Integration, Pan-American Friendship, and West Side Story Acknowledgments Filmography Notes Works Cited Index
Preface 1. The Character of Post–World War II America 2. Singin’ in the (HUAC) Rain: Job Security, Stardom, and the Abjection of Lena Lamont 3. It’s All about Eve 4. “What Starts Like a Scary Tale . . .”: The Right to Work On the Waterfront 5. “Life Could Not Better Be”: Disorganized Labor, the Little Man, and The Court Jester 6. Citizens of the Free World Unite: International Tourism and Postwar Identity in Roman Holiday, The Teahouse of the August Moon, and Sayonara 7. Expedient Exaggeration and the Scale of Cold War Farce in North by Northwest 8. Defiant Desegregation with No (Liberal) Way Out 9. “I Want to Be in America”: Urban Integration, Pan-American Friendship, and West Side Story Acknowledgments Filmography Notes Works Cited Index
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