A pathbreaking study of the Parisian press's attempts to claim Richard Wagner's place in French history and imagination during the unstable and conflict-ridden years of the Third Reich.
A pathbreaking study of the Parisian press's attempts to claim Richard Wagner's place in French history and imagination during the unstable and conflict-ridden years of the Third Reich.
RACHEL ORZECH is a Lecturer in Musicology and Research Fellow at the Melbourne Conservatorium of Music, University of Melbourne, Australia.
Inhaltsangabe
Acknowledgments Contents List of Figures Note on Translations and Referencing of Press Sources Introduction 1. A Universal Art: The Cinquantenaire, 1933 2. Ambassador of Peace: Rapprochement and Wagner, 1933-1939 3. Art and Patrie: The Bayreuth Festival, 1933-1943 4. A Sensitive Question: From Drôle de Guerre to Resistance, 1939-1944 5. Staging Collaboration: The Paris Opéra, 1939-1944 Conclusion: From Universalism to Collaboration Bibliography Index
Acknowledgments Contents List of Figures Note on Translations and Referencing of Press Sources Introduction 1. A Universal Art: The Cinquantenaire, 1933 2. Ambassador of Peace: Rapprochement and Wagner, 1933-1939 3. Art and Patrie: The Bayreuth Festival, 1933-1943 4. A Sensitive Question: From Drôle de Guerre to Resistance, 1939-1944 5. Staging Collaboration: The Paris Opéra, 1939-1944 Conclusion: From Universalism to Collaboration Bibliography Index
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