This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those propagated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those propagated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
1. Introduction: “Moving Images: Cinematic Contestations of Global Borders in the Digital Age,” by Monica Hanna and Rebecca A. Sheehan 2. “Composite Aesthetics as Cultural Cartographies of Europe-in-Transition,” Marina Hassapopoulou 3. “Undocumation: Documentary Animation’s Unsettled Borders,” Rebecca A. Sheehan 4. “The Art of Witness in Lourdes Portillo’s Señorita Extraviada (2001),” Rosa-Linda Fregoso 5. “The Cinematic Borderlands of Alejandro González Iñárritu’s Babel,” Monica Hanna 6. “Challenging European Borders: Goran Paskaljevic’s Honeymoons,” Anita Pinzi 7. “Remapping the Borderlands in ¿Quién diablos es Juliette?” Elena Lahr-Vivaz 8. “Crossing through el Hueco: The Visual Politics of Smuggling in Colombian Migration Films,” Jennifer Harford Vargas 9. “Toward a Transfrontera-Latinx Aesthetics: An Interview with Filmmaker and Artist Alex Rivera,” Frederick Luis Aldama 10. “No-man's Land: Shifting Borders and Alternating Identities in Contemporary Israeli Cinema,” Anat Zanger and Nurith Gertz 11. “Te Borders We Cross in Search of a Better World: On Border Crossing in Three of Amos Gitai’s Feature Films,” Yael Munk 12. “Filipinos at the Border: Migrant Workers in Transnational Philippine Cinema,” José B. Capino
1. Introduction: “Moving Images: Cinematic Contestations of Global Borders in the Digital Age,” by Monica Hanna and Rebecca A. Sheehan 2. “Composite Aesthetics as Cultural Cartographies of Europe-in-Transition,” Marina Hassapopoulou 3. “Undocumation: Documentary Animation’s Unsettled Borders,” Rebecca A. Sheehan 4. “The Art of Witness in Lourdes Portillo’s Señorita Extraviada (2001),” Rosa-Linda Fregoso 5. “The Cinematic Borderlands of Alejandro González Iñárritu’s Babel,” Monica Hanna 6. “Challenging European Borders: Goran Paskaljevic’s Honeymoons,” Anita Pinzi 7. “Remapping the Borderlands in ¿Quién diablos es Juliette?” Elena Lahr-Vivaz 8. “Crossing through el Hueco: The Visual Politics of Smuggling in Colombian Migration Films,” Jennifer Harford Vargas 9. “Toward a Transfrontera-Latinx Aesthetics: An Interview with Filmmaker and Artist Alex Rivera,” Frederick Luis Aldama 10. “No-man's Land: Shifting Borders and Alternating Identities in Contemporary Israeli Cinema,” Anat Zanger and Nurith Gertz 11. “Te Borders We Cross in Search of a Better World: On Border Crossing in Three of Amos Gitai’s Feature Films,” Yael Munk 12. “Filipinos at the Border: Migrant Workers in Transnational Philippine Cinema,” José B. Capino
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