Elizabeth Freeman expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.
Elizabeth Freeman expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.
Elizabeth Freeman is Professor of English at the University of California, Davis, and the author of Time Binds: Queer Temporalities, Queer Histories and The Wedding Complex: Forms of Belonging in Modern American Culture, both also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction 1 1. Shake it Off: The Physiopolitics of Shaker Dance, 1774–1856 27 2. The Gift of Constant Escape: Playing Dead in African American Literature, 1849–1900 52 3. Feeling Historicisms: Libidinal History in Twain and Hopkins 87 4. The Sense of Unending: Defective Chronicity in "Bartleby, the Scrivener" and "Melanctha" 124 5. Sacra/Mentality in Djuna Barnes's Nightwood 158 Coda. Rhythm Travel 187 Notes 191 References 199 Index 219
Acknowledgments vii Introduction 1 1. Shake it Off: The Physiopolitics of Shaker Dance, 1774–1856 27 2. The Gift of Constant Escape: Playing Dead in African American Literature, 1849–1900 52 3. Feeling Historicisms: Libidinal History in Twain and Hopkins 87 4. The Sense of Unending: Defective Chronicity in "Bartleby, the Scrivener" and "Melanctha" 124 5. Sacra/Mentality in Djuna Barnes's Nightwood 158 Coda. Rhythm Travel 187 Notes 191 References 199 Index 219
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