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The essays, poetry, and visual art collected here consider the more-than-human cultures of our multispecies world. At a time when humanity's impact has put our planet's ecosystems into great jeopardy, the book explores literary, sonic, and visual imaginaries that feature encounters between and across a variety of living creatures: beetles and bisons, people and pigeons, trees and spiderwebs, vegetables and violets, orchards and octopi, vampires and tricksters. Offering a wide range of critical and creative contributions to Human Animal Studies, Critical Plant Studies and the Nonhuman Turn, the…mehr

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Produktbeschreibung
The essays, poetry, and visual art collected here consider the more-than-human cultures of our multispecies world. At a time when humanity's impact has put our planet's ecosystems into great jeopardy, the book explores literary, sonic, and visual imaginaries that feature encounters between and across a variety of living creatures: beetles and bisons, people and pigeons, trees and spiderwebs, vegetables and violets, orchards and octopi, vampires and tricksters. Offering a wide range of critical and creative contributions to Human Animal Studies, Critical Plant Studies and the Nonhuman Turn, the volume seeks to foster new ways of imagining a more »response-able« coexistence on our shared Earth.
Autorenporträt
Spengler, BirgitBirgit Spengler is Professor of American Literature at the University of Wuppertal, Germany. She is the author of two books, Vision, Gender, and Power in Nineteenth-Century American Women's Writing, 1860-1900 (2008) and Literary Spinoffs: Rewriting the Classics - Re-Imagining the Community (2015). Her research focuses, among other things, on articulations of states of exception, bare life, and precarious being in contemporary American literature and other cultural media.
Rezensionen
»Das ist ein Sammelband, der es in sich hat: Wahrscheinlich keine leichte Lektüre zum schnellen Überfliegen, aber dennoch sehr empfehlenswert.« Ulrike Schwerdtner, http://tierbefreiungsarchiv.de, 8 (2020) »Der Band besticht durch seine beeindruckende Bebilderung.« Kochen ohne Knochen, 38/1 (2020)