"An important, topical, beautifully written, challenging, and always interesting book. Delicately melding close reading with political vision, O'Brien presents a carefully contextualized introduction to South African writers of the last two decades and includes a consideration of their many genres."--Margaret Daymond, editor of "South African Feminisms: Writing, Theory, and Criticism, 1990-1994"
"An important, topical, beautifully written, challenging, and always interesting book. Delicately melding close reading with political vision, O'Brien presents a carefully contextualized introduction to South African writers of the last two decades and includes a consideration of their many genres."--Margaret Daymond, editor of "South African Feminisms: Writing, Theory, and Criticism, 1990-1994"
Anthony O’Brien is Associate Professor of English at Queens College, City University of New York.
Inhaltsangabe
Acknowledgments Introduction: Normalization or Radical Democracy 1. Radical Democracy and the Electoral Sublime 2. Njabulo Ndebele and Radical-Democratic Culture 3. Against Normalization: Cultural Identity from Below 4. Staging Whiteness: Beckett, Havel, Maponya 5. Locations of Feminism: Ingrid de Kok’s Familiar Ground 6. No Turning Back: Nise Malange and the Onset of Workers’ Culture 7. Lines of Flight: Bessie Head, Arthur Nortje, Dambudzo Marechera Epilogue: Postapartheid Narratives: The House Gun and Fools Notes Bibliography Index
Acknowledgments Introduction: Normalization or Radical Democracy 1. Radical Democracy and the Electoral Sublime 2. Njabulo Ndebele and Radical-Democratic Culture 3. Against Normalization: Cultural Identity from Below 4. Staging Whiteness: Beckett, Havel, Maponya 5. Locations of Feminism: Ingrid de Kok’s Familiar Ground 6. No Turning Back: Nise Malange and the Onset of Workers’ Culture 7. Lines of Flight: Bessie Head, Arthur Nortje, Dambudzo Marechera Epilogue: Postapartheid Narratives: The House Gun and Fools Notes Bibliography Index
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