By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.
By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.
Thomas Stubblefield is Assistant Professor of Art History at the University of Massachusetts, Dartmouth.
Inhaltsangabe
Acknowledgments Introduction: Spectacle and Its Other 1. From Latent to Live: Disaster Photography after the Digital Turn 2. Origins of Affect: The Falling Body and Other Symptoms of Cinema 3. Remembering-Images: Empty Cities, Machinic Vision, and the Post-9/11 Imaginary 4. Lights, Camera, Iconoclasm: How Do Monuments Die and Live to Tell about It? 5. The Failure of the Failure of Images: The Crisis of the Unrepresentable from the Graphic Novel to the 9/11 Memorial Conclusion Notes Bibliography Index
Acknowledgments Introduction: Spectacle and Its Other 1. From Latent to Live: Disaster Photography after the Digital Turn 2. Origins of Affect: The Falling Body and Other Symptoms of Cinema 3. Remembering-Images: Empty Cities, Machinic Vision, and the Post-9/11 Imaginary 4. Lights, Camera, Iconoclasm: How Do Monuments Die and Live to Tell about It? 5. The Failure of the Failure of Images: The Crisis of the Unrepresentable from the Graphic Novel to the 9/11 Memorial Conclusion Notes Bibliography Index
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