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Looking up, he saw something whitish behind the shrine. The daylight was fading and the shoemaker peered at the thing without being able to make out what it was. "There was no white stone here before. Can it be an ox? It's not like an ox. It has a head like a man, but it's too white; and what could a man be doing there?" He came closer, so that it was clearly visible. To his surprise it really was a man, alive or dead, sitting naked, leaning motionless against the shrine. Terror seized the shoemaker, and he thought, "Some one has killed him, stripped him, and left him there. If I meddle I shall surely get into trouble."…mehr

Produktbeschreibung
Looking up, he saw something whitish behind the shrine. The daylight was fading and the shoemaker peered at the thing without being able to make out what it was. "There was no white stone here before. Can it be an ox? It's not like an ox. It has a head like a man, but it's too white; and what could a man be doing there?" He came closer, so that it was clearly visible. To his surprise it really was a man, alive or dead, sitting naked, leaning motionless against the shrine. Terror seized the shoemaker, and he thought, "Some one has killed him, stripped him, and left him there. If I meddle I shall surely get into trouble."
Autorenporträt
The novel is set 60 years before Tolstoy's day, but he had spoken with people who lived through the 1812 French invasion of Russia. He read all the standard histories available in Russian and French about the Napoleonic Wars and had read letters, journals, autobiographies and biographies of Napoleon and other key players of that era. There are approximately 160 real persons named or referred to in War and Peace. He worked from primary source materials (interviews and other documents), as well as from history books, philosophy texts and other historical novels. Tolstoy also used a great deal of his own experience in the Crimean War to bring vivid detail and first-hand accounts of how the Russian army was structured. Tolstoy was critical of standard history, especially military history, in War and Peace. He explains at the start of the novel's third volume his own views on how history ought to be written. His aim was to blur the line between fiction and history, to get closer to the truth, as he states in Volume ii.