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  • Format: ePub

This collection includes: THE HORSE-STEALERS, WARD NO. 6, THE PETCHENYEG, A DEAD BODY, A HAPPY ENDING, THE LOOKING-GLASS, OLD AGE, DARKNESS, THE BEGGAR,
A STORY WITHOUT A TITLE, IN TROUBLE, FROST, A SLANDER, MINDS IN FERMENT,
GONE ASTRAY, AN AVENGER, THE JEUNE PREMIER, A DEFENCELESS CREATURE, AN ENIGMATIC NATURE, A HAPPY MAN, A TROUBLESOME VISITOR, and AN ACTOR'S END. According to Wikipedia: "Anton Pavlovich Chekhov (1860 - 1904) was a Russian short-story writer, playwright and physician, considered to be one of the greatest short-story writers in world literature. His career as a…mehr

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Produktbeschreibung
This collection includes: THE HORSE-STEALERS, WARD NO. 6, THE PETCHENYEG, A DEAD BODY, A HAPPY ENDING, THE LOOKING-GLASS, OLD AGE, DARKNESS, THE BEGGAR,
A STORY WITHOUT A TITLE, IN TROUBLE, FROST, A SLANDER, MINDS IN FERMENT,
GONE ASTRAY, AN AVENGER, THE JEUNE PREMIER, A DEFENCELESS CREATURE, AN ENIGMATIC NATURE, A HAPPY MAN, A TROUBLESOME VISITOR, and AN ACTOR'S END. According to Wikipedia: "Anton Pavlovich Chekhov (1860 - 1904) was a Russian short-story writer, playwright and physician, considered to be one of the greatest short-story writers in world literature. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics Chekhov practised as a doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov's last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." Chekhov had at first written stories only for the money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them."

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Autorenporträt
One of the finest short story authors in history, Anton Pavlovich Chekhov (1860-1904) was a Russian playwright and short story writer. His four classic plays from his playwriting career are highly regarded by writers and reviewers, as are his best short tales. Chekhov is frequently cited as one of the three key figures in the emergence of early modernism in theater, together with Henrik Ibsen and August Strindberg. Chekhov spent the majority of his literary career working as a doctor: He famously quipped, "Literature is my mistress and medicine is my rightful wife." After The Seagull's disastrous performance in 1896, Chekhov gave up acting. However, the play was revived to critical acclaim by Constantin Stanislavski's Moscow Art Theatre in 1898, which also produced Chekhov's Uncle Vanya and gave the world premieres of his final two plays, Three Sisters and The Cherry Orchard. These four plays pose a challenge to the acting group as well as the audience since Chekhov substitutes "theater of mood" and "submerged life in the text" for traditional action. Initially primarily writing for financial benefit, Chekhov later made formal improvements that helped shape the development of the contemporary short tale as his artistic desire evolved.