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§I've spent a lifetime in the ebb and flow of power It brings its gifts But then it's an intoxicant One must beware lest one consumes too much
The monarch. Her most powerful subject.
Two women meet once a week for eleven years. One believes there is no such thing as society. The other has vowed to serve it.
Moira Buffini's wickedly funny hit comedy imagines what the world's most powerful women, Margaret Thatcher and Queen Elizabeth II, talked about behind closed palace doors.
Winner of the 2014 Olivier Award for Outstanding Achievement in an Affiliate Theatre, Handbagged was first
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Produktbeschreibung
§I've spent a lifetime in the ebb and flow of power
It brings its gifts
But then it's an intoxicant
One must beware lest one consumes too much

The monarch.
Her most powerful subject.

Two women meet once a week for eleven years. One believes there is no such thing as society. The other has vowed to serve it.

Moira Buffini's wickedly funny hit comedy imagines what the world's most powerful women, Margaret Thatcher and Queen Elizabeth II, talked about behind closed palace doors.

Winner of the 2014 Olivier Award for Outstanding Achievement in an Affiliate Theatre, Handbagged was first performed in September 2013 and returned to Kiln Theatre, London, in September 2022.

'A phenomenon.' Sunday Telegraph

'Perfectly pitched between the comic and the serious.' Guardian
Autorenporträt
Moira Buffini's plays include Blavatsky's Tower (Machine Room), Gabriel (Soho Theatre), Silence (Birmingham Rep), Loveplay (Royal Shakespeare Company), Dinner (National Theatre and West End), Dying for It, adapted from The Suicide by Nikolai Erdman (Almeida), A Vampire Story (NT Connections), Marianne Dreams (Almeida), Welcome to Thebes (National Theatre), Handbagged (Tricycle Theatre and West End), wonder.land (National Theatre), NW Trilogy (Kiln Theatre) and Manor (National Theatre). Screenplays include Jane Eyre, Tamara Drewe, Byzantium and The Dig.
Rezensionen
Moira Buffini's sharp, smart . . . witty script [is] thoroughly entertaining. . . . Delightful. Evening Standard