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WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE
SHORTLISTED FOR THE RSL ONDAATJE PRIZE, THE GREEN CARNATION PRIZE, and the HISTORICAL WRITERS AWARD
'Miller's storytelling is superb' SUNDAY TIMES
One April day in Augustown, Jamaica. Ma Taffy, old and blind, sits in her usual spot on the veranda. No matter how the world tilts around her, come hurricane or riot, she knows everything that goes on in this small community. Which is why, when her six-year-old nephew returns home from school with his dreadlocks shorn, she realises that trouble won't be far behind. And so she tells…mehr

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Produktbeschreibung
WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE
SHORTLISTED FOR THE RSL ONDAATJE PRIZE, THE GREEN CARNATION PRIZE, and the HISTORICAL WRITERS AWARD


'Miller's storytelling is superb' SUNDAY TIMES

One April day in Augustown, Jamaica. Ma Taffy, old and blind, sits in her usual spot on the veranda. No matter how the world tilts around her, come hurricane or riot, she knows everything that goes on in this small community. Which is why, when her six-year-old nephew returns home from school with his dreadlocks shorn, she realises that trouble won't be far behind. And so she tells him the story of Alexander Bedward, the flying preacherman. She remembers what happened to the Rastaman and his helper, Bongo Moody; she thinks of Soft-Paw, the leader of the Angola gang, and what lies beneath her house. For trouble is brewing once more among the ramshackle lanes of Augustown, and as Ma Taffy knows, each day contains much more than its own hours, or minutes, or seconds. In fact, each day contains all of history...


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Autorenporträt
Kei Miller was born in Jamaica in 1978. He is the author of three novels, THE SAME EARTH, THE LAST WARNER WOMAN and AUGUSTOWN, several collections of poetry and a book of short stories, THE FEAR OF STONES, which was shortlisted for the Commonwealth Writers' Prize for Best First Book. In 2014, he won the prestigious Forward Prize for Poetry for his collection, THE CARTOGRAPHER TRIES TO MAP A WAY TO ZION. He teaches Creative Writing at Royal Holloway, University of London.
Rezensionen
Driven by atmosphere more than plot, the language is as clear as spring water OBSERVER 20160710