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'One way of describing Educating Rita would be to say that it was about the meaning of education ... Another would be to say that it was about the meaning of life. A third, that it is a cross between Pygmailion and Lucky Jim. A fourth, that it is simply a marvellous play, painfully funny and passionately serious; a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending.' Sunday Times Educating Rita , which portrays a working-class Liverpool woman's hunger for education, premiered at the RSC Warehouse, London, in 1980 and won the SWET award for Best Comedy of the…mehr
'One way of describing Educating Rita would be to say that it was about the meaning of education ... Another would be to say that it was about the meaning of life. A third, that it is a cross between Pygmailion and Lucky Jim. A fourth, that it is simply a marvellous play, painfully funny and passionately serious; a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending.' Sunday Times
Educating Rita, which portrays a working-class Liverpool woman's hunger for education, premiered at the RSC Warehouse, London, in 1980 and won the SWET award for Best Comedy of the Year. It was subsequently made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.
One of the most-produced writers of his time, Willy Russell (b. Whiston, Liverpool, 23 Aug. 1947) is a playwright and songwriter. He has written a large number of highly successful plays and musicals for stage and TV including John, Paul, George, Ringo ... and Bert (1974), Breezeblock Park (1975), One for the Road (1976),Our Day Out (television 1977; stage musical version 1983), Stags and Hens (1978; filmed as Dancin' thru the Dark, 1990), Educating Rita (1979), Blood Brothers(1981; musical version 1983), and Shirley Valentine (1986). His novel, The Wrong Boy, was published to great acclaim in 2000.
Inhaltsangabe
Chronology Context: Liverpool in 1980s Willy Russell and the Everyman Themes: Being trapped and breaking free Class and identity Popular culture v high art Education and knowledge Dramatic Devices: Language and voice Structure Setting Production History: Casting Rita Film Critical Reception Academic Debate Comparative Literature Further Study EDUCATING RITA Notes References
Chronology Context: Liverpool in 1980s Willy Russell and the Everyman Themes: Being trapped and breaking free Class and identity Popular culture v high art Education and knowledge Dramatic Devices: Language and voice Structure Setting Production History: Casting Rita Film Critical Reception Academic Debate Comparative Literature Further Study EDUCATING RITA Notes References
Rezensionen
Russell plays don't date, any more than Jane Austen novels - Rita is a universal figure: any of us in a time of transition, increasingly uncomfortable in our old world but, as yet, unproven in the new. Libby Purves, The Times, 28.07.10
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