Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing. ¿
Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing. ¿
Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.
Inhaltsangabe
List of Illustrations ix Acknowledgments xiii Introduction 1 Part I. Art's Critique of Representation 37 1. The Fragile Inheritors 39 2. Busy in the Ruins of Wretched Phantasia 50 Part II. Differential Proliferations 87 3. Marronage of the Wandering Eye: Keith Piper 89 4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97 5. Avid Iconographies: Isaac Julien 129 6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147 Part III. Global Modernities 155 7. Home from Home: Portraits from Places in Between 157 8. African Photography in Contemporary Visual Culture 170 9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186 10. Documenta 11 207 Part IV. Detours and Returns 215 11. A Sociography of Diaspora 217 12. Diaspora Aesthetics and Visual Culture 227 13. Art History after Globalization: Formations of the Colonial Modern 248 14. The Cross-Cultural and the Contemporary 262 Part V. Journeying 277 15. Postcolonial Trauerspiel: Black Audio Film Collective 279 16. Archive and Dépaysement in the Art of Renée Green 294 17. Kerry James Marshall: The Painter of Afro-Modern Life 310 18. Hew Locke's Postcolonial Baroque 321 Bibliography 347 Index 357
List of Illustrations ix Acknowledgments xiii Introduction 1 Part I. Art's Critique of Representation 37 1. The Fragile Inheritors 39 2. Busy in the Ruins of Wretched Phantasia 50 Part II. Differential Proliferations 87 3. Marronage of the Wandering Eye: Keith Piper 89 4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97 5. Avid Iconographies: Isaac Julien 129 6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147 Part III. Global Modernities 155 7. Home from Home: Portraits from Places in Between 157 8. African Photography in Contemporary Visual Culture 170 9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186 10. Documenta 11 207 Part IV. Detours and Returns 215 11. A Sociography of Diaspora 217 12. Diaspora Aesthetics and Visual Culture 227 13. Art History after Globalization: Formations of the Colonial Modern 248 14. The Cross-Cultural and the Contemporary 262 Part V. Journeying 277 15. Postcolonial Trauerspiel: Black Audio Film Collective 279 16. Archive and Dépaysement in the Art of Renée Green 294 17. Kerry James Marshall: The Painter of Afro-Modern Life 310 18. Hew Locke's Postcolonial Baroque 321 Bibliography 347 Index 357
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